Shi Yong
Shanghai Sky
Installation
2004
555 x 238 cm
SY16
BIOGRAPHY
简历
TEXTS PAGE
WORKS ARCHIVE
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Shi Yong
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BIOGRAPHY 简历 TEXTS PAGE WORKS ARCHIVE |
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Yearning 200cm x 120cm each piece 关于摄影合成作品《憧憬制造》新连环画的文字简说 这是一组建立在“立足本土，走向世界，与国际接轨，吸引外资”的当代中国城市背景下（以中国对外开放的窗口城市上海具有代表性新建筑景观作为背景）的新形象人物连环画照。他们具有与这个背景相匹配的关联性效果，如同红花需要绿叶配——新城市需要新形象，新形象需要新理想。有道是：全民共唱一台戏。 以具有代表性的当代中国城市家庭作为表现的视角，以肥皂剧的形象造型与作秀式的对话处理，既能形象地凸现出处于这种现实背景下的人们，在面对国际新格局时所显露出的某种微妙的心态，又能充分地反映出这个充满策略与表演的现实图景。而人物群像的金发处理，则是对这个现实环境的逻辑性反映。 每幅作品尺寸2米x1.2米，共5幅。摄影与电脑合成感光成像。 作品对话内容如下： |
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| Father: Look, our international prospects for the new
centruy are bright！ Mother: We must show off our skill. Grandmother: It must be tiem to struggle. Grandfather: In the new century we must grasp after opportunity! Son: But the road is windy. |
Son: The new century after all belongs to our generation,
the burden is heavy! Grandfather: Back then, when I was abount your age, I was already a red soldier. Mother: Talk about your ecperiences, inflate him. Father: Certainly there are obstacles on the road to the new century. But Grandfather, father, didn’t they all come through turmoil to get here? Son, do not lose heart! Grandmother: All these years, your grandmother has been thinking og struggle. |
| 作品第一幅对话：爸爸：“看，新世纪的国际前途是光明的！” 妈妈：“得好好露一手。” 奶奶：“该是搏一搏的时候了。” 爷爷：“在新世纪一定要好好把握时机啊！” 儿子：“可是道路是曲折的。” | 作品第二幅对话：儿子：“新世纪毕竟是我们这一代的世纪，负担重啊！” 爷爷：“想当年，我象你那么大的时候就已经是红小鬼了。” 妈妈：“谈谈你的经验，给他打打气。” 爸爸：“在迈向新世纪的征途上，确实有险阻。但你爷爷，你老爸不 都是在艰难跋涉的征途中过来的吗？小虎，你可不能泄气啊！” 奶奶：“你奶奶这把年纪了，都想着要搏一搏。” |
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| Son: Your instruction has touched me deeply. Although the road is windy, I must only establish and maintain a correct philosophy, and in terms of strategy scoff at my enemy, while in terms of tactics respect my enemy, and I will have to worry abount not being able to march in synch with the new century, or not connection with the international. | Son: I remember Mao said “ the world is yours, and also
ours, but in the end it is still yours…” He was right, we young people are
like the morning sun of 8 or 9 a.m.” Father: Very good, I have been waiting
for you to speek these words. Mother: Hope is on your shoulders, we are all depending on you. Grandfather: There will be people to carry on internatonal relations in the new century. Grandmother: Good work.. |
| 作品第三幅对话：儿子：“你们的教导深深地感染了我，是的，道路虽然曲折，但是只 要树立起积极的正确的人生观，在战略上藐视敌人，在战术上 重视敌人，何愁不能跟上新世纪的步伐，与国际接轨呢？” 爸爸：“这小子虽然没有实战经验，却是前途无量。” 妈妈：“比他老爸悟性足。” 爷爷：“象我家的秉性，是棵好苗子啊！” 奶奶：“这下我就放心了。” | 作品第四幅对话：儿子：“记得毛爷爷说过‘世界是你们的，也是我们的，但是归根结 底还是你们的……’是啊，我们年轻人就象早晨八九点钟的太 阳……” 爸爸：“好样的，我就等你这句话。” 妈妈：“希望就寄托在你身上了，我们全都靠你喽。” 爷爷：“在新世纪的国际舞台上后继有人了。” 奶奶：“好好干。” |
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| Son: Thank you for your praise, only when we stand on the
shoulders of previous generations can we see far! Grandfather: You are modest like your grandfather. Mother: I so envy you; how I’d love to go ahead with you. Father: I am no longer alone. Grandmother: A good kid. |
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| 作品第五幅对话：儿子：“谢谢你们的夸奖，我们只是踏在前辈的肩膀上才能看的远多 多鼓励呀！” 爷爷：“谦虚也象你爷爷。” 妈妈：“真羡慕你，好想跟着你去闯闯。” 爸爸：“我不再孤单了。” 奶奶：“好一个将门虎子。” （完） | |
Video: Shi Yong QQ's Illusion
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| Shi Yong The moon hues are teasing Installation, polyester, textile, lamp, loudspeaker 2002 186 x 142 x307 cm 150 x 28 x 20 cm |
Shi Yong
Gallery View 2-Forever
Photo
Edition of 5
80 x 360
2002
Shi Yong
Gallery View 1-Tonight Moon
Photo
Edition of 5
80 x 360
2002
Shi Yong
You can not clone it, but you can buy it.
Photo 2000
36cm x 250cm (edition of 50)
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New image of Shanghai today (1998) |
Made for you (2000) |
First Date (2001) Project for Living in Time, Berlin; XXV Bienal de Sao Paulo, Brazil |
| 1963 | Born in Shanghai |
| 1985 | Graduated from the Fine Art Department of Light Industrial School |
| Lives and works in Shanghai | |
| Solo Exhibitions | |
| 2004 | The Heaven - The World, ShanghART gallery, Shanghai, China |
| The Heaven · The World, ShanghART H - Space, Shanghai, China | |
| Selected Exhibitions | |
| 2005 |
Shanghai Constructions, Shanghai Gallery of Art, Shanghai, China
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| 2004 | BEIJING CHONGQING SHANGHAI Fotografie aus Beijing und Shanghai, Galerie Karin Sachs, München, Germany |
| A Strange Heaven - Contemporary Chinese Photography, Galerie Rudolfinum,Praha,Czech Republic | |
| Papermill, Workshop with Rober Wilson, Long Island, New York, USA | |
| Light as Fuck! Shanghai Assemblage 2000-2004, The National Museum of Contemporary Art, Oslo, Norway | |
| 2003 | City_net Asia 2003, Seoul Museum of Art, Korea |
| Open Sky, Grand Opening of Shanghai Duolun Museum of Modern Art, Shanghai | |
| Left Wing, An exhibition of Chinese Contemporary Art, Left Bank Community, Beijing | |
| Different Choice-The Invited Exhibition of the Shanghai 60's Artists, Shanghai Bandao Gallery | |
| "Zooming into Focus" - Chinese Contemporary Photography from the Haudenschild Collection, San Diego State University & San Diego Museum of Art, Shanghai Art Museum, China | |
| Synthetic Reality, East Modern Art Centre, Beijing | |
| Junction-Chinese Contemporary Architecture of Art, Lianyang Architecture Art Museum, Shanghai" | |
| 2002 | Pingyao International Photography Festival (PIP), Pingyao, China |
| Urban Creation, 4th Shanghai Biennale, Shanghai Art Museum, Shanghai | |
| Too Much Flavour, 3H Art Center, Shanghai | |
| 2002 Money and Value, the Last Taboo, Expo 02, Switzerland | |
| 24:30 Contemporary Art Exhibition, Bizart, Shanghai | |
| Media and Art. Chinese International Exhibition Center, Beijing | |
| XXV Bienal de Sao Paulo, Brazil | |
| 2001 | Living in Time, Contemporary Artists form China, Hamburger Bahnhof, Berlin, Germany |
| Unpacking Europe, Museum Boijmans Van Beuningen, Amsterdam, The Netherlands | |
| Polypolis, Art from Asian Pacific Megacities, Kunsthaus, Hamburg, Germany | |
| ARCO, Asian Party, Global Game (curated by Hou Hanru), Madrid, Spain | |
| 2000 | Looking out / Looking in, Art Show 2, East Quad Art Gallery, University of Michigan, USA |
| Leaving the Island, Pusan International Art Festival, Korea | |
| Home, Shanghai | |
| Exit, Chisenhale Gallery, London, UK | |
| 2000 China - Korea – Japan Contemporary Art Exhibition, Changning Culture and Art Centre, Shanghai | |
| 1999 | Food for Thought, MU Art Foundation, Eindhoven, The Netherlands |
| Cities on the Move 6, Kiasma Museum of Contemporary Art, Helsinki, Finland | |
| The Third Asia-Pacific Triennial of Contemporary Art, Queensland Art Gallery, Brisbane, Australia | |
| BM 99 Bienal da Maia, Maia, Portugal | |
| CAPPING Contemporary Art Exhibition, Sohyang Gallery, Pusan | |
| Cities on the Move 5, Hayward Gallery, London | |
| Art for Sale, Shanghai Plaza, Shanghai | |
| Cities on the Move 4, Louisiana Museum of Modern Art, Denmark | |
| Looking Out/ Looking In, Plug In Contemporary Art, Winnipeg, Canada | |
| 1998 | Jiangnan Modern and Contemporary Art form South of the Yangzi River, Grunt Gallery, Vancouver, Canada |
| Cities on the Move 3, PS1, NewYork USA | |
| Cities on the Move 2, Musee d' Art Contemporain, Bordeaux, France | |
| 1997 | Cities on the Move, Secession, Vienna, Austria |
| New Asia, New City, New Art- 97 Chinese-Korean Contemporary Art Exhibition, Changing Culture and Art Centre | |
| Chinese Contemporary Video Art Exchange of 97, Gallery of the Central Academy of Fine Arts, Beijing | |
| Honorable Mention Award to go to Vermont Studio Center for Art Exchange, Vermont, U.S.A. | |
| Existence and Environment the Chinese Way-The first Academic Exhibition of Chinese Contenporary Art, The Art Museum of Capital Normal University, Beijing | |
| 1996 | Passing the Plane-The Media Exhibition by Six Artists |
| Let's Talk about Money - The First Shanghai International Fax Art Exhibition, Shanghai Huashan Professional School of Art Gallery, Shanghai | |
| In the Name of Art-Chinese Contemporary Art Exchange Exhibition, Liu Haisu Art Museum, Shanghai | |
| 1995 | Not Here Not There - Two Visiting Installation Artists from Shanghai, Access Artist Run Center, Vancouver, Canada |
| 45 Degrees as a Reason, Conceptual Collaboration Work Organized by Geng Jianyi with Participants form Hangzhou, Shanghai, Beijing, Artist`s Private Home | |
| 1994 | The First Hanmo New Art Exhibition, Hanmo Art Center, Beijing |
| The Third Modern Chinese Art Research Documents Exhibition-Installation Environment-Performance, East China Normal University Library, Shanghai | |
| 1993 | Two Attitudes Toward Identity 93-Qian Weikang & Shi Yong Installation Works Show, Shanghai Huashan Art Vocational School Gallery, Shanghai |
| 1992 | 92 China Art Exhibition, Beijing People Culture Center |
| Publications/Catalogues | |
| Please check Britta Erickson's Bibliogragphy | |
| Articles: | |
| "Compelling Images of a Distant Life. Video as Expansion of Reality.", by Martina Köppel-Yang | |
Biography in Chinese below:
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1963 |
生 于 上 海 |
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1985 |
毕 业 于 上 海 轻 工 业 专 科 学 校 美 术 系 |
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主 要 个 展 和 联 展: |
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| 2004 | 轻而易举！上海拼图2000－2004艺术展，国立当代美术馆，奥斯陆，挪威 |
| 2003 | 打开天空－上海多伦现代美术馆当代艺术展，上海多伦现代美术馆 |
| 聚焦：来自Haudenschild收藏机构的中国当代录像和摄影，美国圣地亚哥州立大学与艺术馆，中国上海美术馆 | |
| 左翼－中国当代艺术展，左岸工社，北京 | |
| 不同的选择－上海60年代出生艺术家作品邀请展，上海半岛美术馆 | |
| 合成现实，远洋艺术中心，北京 | |
| “节点-中国当代艺术的建筑实践”展，上海联洋建筑博物馆，上海 | |
| 2002 | 范明珍和范明珠（双胞胎展览）-你好你好，上海金沙江路1508号2楼 |
| 平遥国际摄影展，平遥，中国 | |
| 上海双年展，上海美术馆，上海 | |
| 趣味过剩, 3H艺术中心, 上海 | |
| 金钱和价值/最后的禁忌, 瑞士艺术博览会 | |
| 第25届圣保罗双年展, Brazil | |
| 24:30 当代艺术交流展, 比翼画廊, 上海 | |
| 媒体与艺术, 中国国际展览中心, 北京 | |
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2001 |
被打开的欧洲 BOIJMANS VAN BEUNINGEN 美术馆，荷兰 |
| 生活在此时 柏林，德国 | |
| 城市与城市--亚洲流动艺术展，汉堡，德国 | |
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亚洲的舞会 世界的游戏，马德里当代艺术博览会，马德里，西班牙 |
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32届巴塞尔艺术博览会，巴塞尔，瑞士 |
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2000 |
离开孤岛，釜山国际当代艺术节，釜山，韩国 |
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看外面/看里面，上海当代艺术展2， East Quad画廊，密歇根大学，美国 |
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家?，当代艺术提案展，上海月星家居广场，上海 |
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通道, Chisenhale画廊, 英国, 伦敦 |
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1999 |
精神食品展, 荷兰艺术基金会, 爱恩霍因, 尼德兰 |
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变动中的城市展6, KIASMA当代美术馆, 赫尔辛基 |
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第三届亚太当代艺术三年展, 昆士兰美术馆, 布利斯班 |
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99玛雅当代艺术双年展, 玛雅，葡 萄 牙 |
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CAPPING，当代艺术交流展，小杉画廊，釜山，韩国 |
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变动中的城市5, Hayward 美术馆， 伦敦，英国 |
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超市当代艺术展，上海广场，上海 |
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变动中的城市4, Louisiana 现代美术馆，哥本哈根，丹麦 |
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看出去/看进来, 上海当代艺术展, Plug In 当代艺术中心，温尼伯，加拿 大 |
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1998 |
江南-现代与当代中国艺术展, Grunt画 廊, 温哥华, 加拿大 |
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1997 |
新亚洲, 新城市, 新艺术97中-韩当代艺术展, 当代美术馆, 长宁文化艺术中心, 上海 |
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变动中的城市-艺术巡回展, 分离派美术馆, 维也纳, 奥地 利 |
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97中国当代录象艺术交流展, 中央美术学院画廊, 北京 |
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获提名奖赴美国佛蒙特艺术工作室中心作创作交流，佛蒙特，美国 |
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中国方式: 生存与环境-首届中国当代艺术学术邀请展, 首都师大美术馆, 北京 |
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1996 |
经过平面-六人媒体展，广州画廊 |
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让我们谈谈钱-首届上海国际传真交流展, 华山美校画廊, 上海 |
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以艺术的名义-中国当代艺术交流展, 刘海粟美术馆, 上海 |
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1995 |
非此处, 非彼处-施勇和钱喂康艺术访问展, Access艺术家竞争中心, 温哥华, 加拿大 |
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同意以45度作为理由-上海, 北京非定点艺术活动, 艺术家居室空间 |
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语言的方位, 上海少年儿童图书馆,(装置) |
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1994 |
首届翰墨新艺术方案大展, 翰墨艺术中心, 北京 |
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中国当代艺术文献(资料)展-第三回展(装置-环境行为), 华东师大图书馆, 上海 |
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1993 |
形象的两次态度93- 钱喂康与施勇装置作品展, 华山美术画廊, 上海 |
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1992 |
92中国油画艺术展>>, 北京劳动人民文化宫, 北京 |
| The Art Works by Shi Yong 施勇作品年表 |
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| 2002 | The Moon’s Hues are Teasing |
| 月色撩人 | |
| digital photography, light box | |
| 电脑合成，数码照片 90x75x12 (cm) | |
| Forever ---- Gallery Scenery No.2 | |
| 永远 － 风景画廊2号 computer processed digital photography | |
| 电脑合成，数码照片 80x360 (cm) | |
| Tonight Moon --- Gallery Scenery No.1 | |
| 今晚的月亮 － 风景画廊1号 computer processed digital photography | |
| 电脑合成，数码照片 80x360 (cm) | |
| The Keynote: Red 70%, Yellow 20%, Blue 10% | |
| 基调： 红70%, 黄20%, 兰10% | |
| computer processed digital photography | |
| 电脑合成，数码照片 69,2x97 (cm) | |
| 2001 | Made in Europe --- Welcome Back |
| 欧洲制造 － 欢迎您来 | |
| mixed media installation | |
| 综合媒体装置 | |
| Yearnings | |
| 憧憬 | |
| computer processed digital photography | |
| 电脑合成，数码照片 170x120 (cm) | |
| The First Date | |
| 第一次约会 interactive internet art work | |
| 网络互动作品 | |
| 2000 You cannot clone it, but you can buy it | |
| 你不可以克隆，但你可以买 | |
| computer processed digital photography | |
| 电脑合成，数码照片 30x240 (cm) | |
| 1999 Image: Does Every Chinese Person Have BLOND Hair? | |
| 形象：每个中国人都是黄头发？ | |
| computer processed digital photography | |
| 电脑合成照片 | |
| 150x200 (cm) | |
| The New Image (project plan) | |
| 新形象展示计划 performance | |
| 行为表演 | |
| 1998 | Adding One Concept on Top of Another |
| 在一个概念上再加一个概念 installation with different media | |
| 多媒介装置 | |
| 1997 | Words about Deportment ABC |
| 仪态举止ABC | |
| installation with different media | |
| 多媒体装置 | |
| Please Chose the Best ---- Collect the New Image of Shanghai Today | |
| 请你选择最好的！－ 今日上海新形象征集计划 | |
| interactive internet art work | |
| 网络互动作品 | |
| 1996 Art Sample from China | |
| 来自中国的艺术样品 mixed media | |
| 综合材料 | |
| 90x70x30 (cm) | |
