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SHI YONG 施勇
b. 1963, works and lives in Shanghai

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SHI YONG 施勇
Let All Potential be Internally Resolved using Beautiful Form No.22
2015
220*162*18cm
Installation | Installation
Quartz fiber wallpaper, Plaster board, Elastic coating, Polystyrene, Polyethylene, Photograph, Multi-layer board, Steel furring channel, Rubber, Aluminium, Serigraph
Edition of 3
code: SY_6256

Current And Upcoming Exhibitions:
Shi Yong: Under the Rule, ShanghART, Shanghai2F, ShanghART, 09.27, 2017 - 10.30, 2017
+ Art Taipei 2017 [Booth No. D01], Taipei, Taiwan, 10.20, 2017 - 10.23, 2017

Introduction

Shi Yong is a representative figure of contemporary artists who started early in installation and video media. Since 1993, his works have been widely shown both in China and abroad. His artwork covers a wide range of mediums - including performance, video and installation. Shi Yong’s earliest artistic practice focused on revealing the subtlety of our reality and the inherent tension in the "system". At the end of the 1990s, Shi began focusing on the idea of Shanghai’s modernization transition under Chinese economic reform, which contributed to a discussion on globalization and consumption. Since 2006, with the piece Sorry, There will be no Documenta in 2007, he turned his attention to the art scene he had been involved, wondering how to provide a more rational perspective through his works. Shi Yong’s 2015 solo exhibition, Let All Potential Be Internally Resolved Using Beautiful Form, continues his art practice, disclosing his intention to expand the reflection and practice of “control” under the seeming “abstract” in the future.    

Shi Yong was born in Shanghai in 1963. He graduated from Light Industrial School, Fine Arts Department. He resides and works in Shanghai. Shi Yong has exhibited widely since the early 1993's. Recent shows include: Floating World, Bahrain (2017); Trace of Existence, UCCA, Beijing; The Crocodile in the Pond, Luzern (2016); Let All Potential be Internally Resolved using Beautiful Form (Solo Exhibition), MadeIn Gallery; Ural Industrial Biennial of Contemporary Art, Ekaterinburg; Essential Matters-Moving Images from China, Borusan Contemporary Perili Kosk, Istanbul, (2015); Hans van Dijk: 5000 Names, Ullens Center for Contemporary Art, Beijing; Witte de With Center for Contemporary Art, Rotterdam, the Netherlands; Off Site Programme, Silent Film, Ikon Gallery, Birmingham;(2014); Big Draft, Kunstmuseum Bern, Bern, (2010); Think carefully, where have you been yesterday?, (Solo Exhibition ) BizART, Shanghai(2007); Alllooksame/Tutttuguale? Fondazione Sandretto Re Rebaudengo,Turin(2006); Second Guangzhou Triennale, Guangsong Museum of Art, Guangdong ;Felicidad Indecible (Unspeakable Happiness), Museo Tamayo Arte Contemporáneo, Mexico City; Follow Me!, Mori Art Museum, Tokyo (2005); The Heaven, The World (Solo Exhibition), ShanghART Gallery, Shanghai (2004); XXV Biennale de Sao Paulo, Sao Paulo; Money and Value, The Last Taboo, Switzerland; 4th Shanghai Biennale, Shanghai Art Museum, Shanghai (2002); Unpacking Europe, Museum Boijmans Van Beuningen, Rotterdam; Living in Time , National galerie im Hamburger Bahnhof Museum fuer Gegenwartskunst, Berlin (2001); The Third Asia-Pacific Triennial of Contemporary Art, Queensland Art Gallery, Brisbane, (1999); Art for Sale, Shanghai; Cities on the Move (1-6): Exhibition of Asian Art, Secession, Vienna; CAPC, Musee d' Art Contemporain, Bordeaux; PS1 Contemporary Art Center, New York; Louisiana Museum of Modern Art, Copenhagen; Hayward Gallery, London; Kiasma; Museum of Contemporary Art, Helsinki (1997- 1999); Two Attitudes Toward Identity 93, Gallery of Shanghai Huashan Art Vocational School, Shanghai (1993) etc.
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