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CHEN XIAOYUN 陈晓云
b. 1971, works and lives in Beijing

other links:
Chen Xiaoyun We...
CHEN XIAOYUN 陈晓云
Applicable to All Desultory Irresponsible Symbols with Revolution as the Starting Point
2014
150*220cm|with frame 209*248*8cm
Photograph | Colour chromogenic print
Edition of 5
code: CXY_0595

Current And Upcoming Exhibitions:
Bound Volumes of Self-Selection, Vol.2: Side Profiled Nihility, Chen Center for Contemporary Art 798, Beijing, 07.01, 2017 - 08.12, 2017
Physical Theatre, ShanghART, Shanghai, 08.09, 2017 - 09.10, 2017
+ Photofairs 2017 [Booth Nr. B09], Shanghai Exhibition Center, Shanghai, 09.08, 2017 - 09.10, 2017

Introduction

Chen Xiaoyun's works are always both artistic and poetic in style, with introspective thinking present in the narrative structure as well as the use of individual fragments of consciousness to channel the real world in a video format. His works usually start with a caption, a dialogue, or a motion, that is then overlapped, refined, and abstracted, to manipulate perception of our known world. Creating one that is more ridiculous, hesitant, and more vain.

Chen Xiaoyun (1971) was born in Hubei province. Since his participation in the group exhibition 'Art for Sale' held in Shanghai in 1999, he started his contemporary art creation and practice in video art, and has become one of the most important experimental artists in the most recent decade.

His recent solo exhibitions include: Twenty-one Poems of Lenin, ShanghART Gallery, Shanghai, (2014); Hysteria, Metaphorical and Metonymical Life-World, A4 Contemporary Arts Center, Chengdu (2013); Darker than Darkness, Death beyond Death, Fire Burning Fire, Walking Down along the Stairway. , ShanghART Beijing (2013); "Zhuiku Tablet" Annotation-CHEN Xiaoyun Solo Exhibition, ShanghART Beijing (2012); Why Life, ShanghART Beijing (2011); Emerald Tablet held at ShanghART H-Space, Shanghai (2009); Love You Big Boss, the Project Gallery, New York (2008); Faint, MC, Los Angeles (2007).

Chen Xiaoyun has participated in various international art exhibition and festivals, including China 8, Contemporary Art from China at the Rhine and Ruhr, Lehmbruck Museum, Duisburg (2015); Montevideo Biennale, Montevideo, Uruguay (2014); Moving On Asia, Towards a New Art Network 2004-2013, City Gallery Wellington, New Zealand (2013); Perspectives 180 - Unfinished Country, New Video from China, The Contemporary Art Museum in Houston, U.S.A. (2012); Moving Image In China: 1988-2011, Minsheng Art Museum,Shanghai (2011); Shanghai Kino, Shanghai Kino, Kunsthalle Bern, Switzerland (2009); 16th Biennale of Sydney, Sydney, Australia (2008); Havana Biennial 2008; Drapeaux Gril, CAPC- Musée d'art Contemporain, Bordeaux, France (2007); The Busan Biennale 2006, Busan, Korea (2006); Yokohama International Triennale of Contemporary Art 2005, Yokohama, Japan (2005); T1- Torino Triennial, Castello di Rivoli Museo d'Arte Contemporanea, Torino, Italy (2005); 5th Shanghai Biennale – Techniques of the Visible, Shanghai Art Museum, Shanghai (2004).
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