Figures in Jin Weihong's paintings are surprisingly cool female characters, detached from all the desires and demands of any ordingary in the living world. They are neuter, or at least they are supposed to be seemed so. Like parasite to traditional in painting patterns and context, their loneliness is a question and everlasting serching o9f the artist on ego and natural humanity.

Sexless, thus lonely, Jin's Characters and human bodies are projecting a personification of her own anxieties. Deprived of their body features and sensitive details without intended selections, they are coldly rational, which has led artist's futher creations of self-reflection with two assembled human bodies depending and lingering on each other emotionlessly. Self-clone is a common tool to depict, relieve and recover self-anxieties.