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H-Space, bldg. 18, 50 Moganshan Rd., Shanghai, China
April 18th-May 15th, 2008 , opening time: 1pm-6pm (Monday closed)
Zhou Zixi’s new compelling series of paintings 1946-1949 (created in 2007/2008) evoke complex metaphors of history and nostalgia. In these, Zhou Zixi exploits the power of nostalgia to create images that reflect the artist’s memory of a childhood flooded by depictions of
The common strand that runs through these two extremes is a powerful ideology that equalizes all subjects. His aim is to trigger an unframed, unexpected visual encounter. The effect is not imposed on the spectator; on the contrary, the work offers a willfully ambivalent approach, open to a variety of interpretations.
Zhou Zixi’s recent paintings oscillate between high art and kitsch, integrating a visual language that is particularly crude due to the banality of nostalgia. What we see in these pictures are spaces filled with anachronistic images of distant historical realities. Rather than a calming notion of history, these paintings depict the external manifestation of
Zhou Zixi was born in
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