Introduction
Wang Xin earned both her Bachelor’s and Master’s degrees from the School of Fine Arts at the Central Academy of Fine Arts. She is currently based in Beijing and Sydney.
Wang Xin’s artistic practice centers on large-scale paintings, primarily employing mixed-media oil painting techniques, pastels, and ground mineral pigments. Through the continuous layering and transformation of materials, she observes and articulates the relationship of scale between nature and the human body—from external forms to the correspondence of internal cavities—initiating an exploration of the “superposition state” of the universe as an intermediate condition. Simultaneously, she incorporates the intersection of screen exposure and planetary orbits into her compositions, endowing her works with a «planetary consciousness» expressed through a language of light, shadow, and spatial resonance. This approach leads her to question whether artifcial intelligence represents an advanced stage of evolution or a form of collective amnesia.
In her works, themes such as death, rebirth, desire, and human collective memory coexist with the fundamental particles that constitute the universe. By deconstructing their vibrations, compressions, and reorganizations, she expresses a profound interest in constructing the entrances and exits to multidimensional cosmic spaces.