Zhai Liang’s latest solo exhibition, “What
I Don’t Understand Is What I Understand,” will open at White Space (Shunyi) on
May 27, 2023.
In his series The Garden of Forking Paths
(2011-2015) and Night Vessel, shown at exhibitions such as “Catalogue: Babel
Library” (2013), “Notes” (2015), and “Finding Hermits” (2018), Zhai Liang
excelled at using ambiguous symbols to lead viewers into literary moments. He
always cleverly combined humorous vignettes from short stories and comedy films
and ambiguous perceptions and visions from everyday life with the contemplation
of social relationships.
The 14 all-new oil paintings in “What I
Don’t Understand Is What I Understand” mark a bold departure from his previous
work, reflecting a new round of destruction and creation from a long-time lover
of literature and painting. Zhai takes a relaxed approach as he gives form to
personal memories, but he also imbues the images with the woven textures of
narratives that seem nearly—but not quite—over. His trademark humor continues
in these paintings, but he no longer relies solely on comedic figures and their
gestures from real life and media; instead, he transforms them into towering,
jelly-like shapes comprised of countless curved lines and restless rounded
surfaces. In other pieces, Zhai secretly grafts rural carnival scenes painted
by Pieter Bruegel the Elder and his son and images from a trip to India a few
years ago that had an immense influence on his subsequent work onto spontaneous
Chinese experience. Nostalgic variants of legendary works of literature, the
romance of colleagues riding their bicycles home from the factory, and the
sophistication of the pair dancing era are deeply implanted in still other
paintings.