This screening and discussion accompanies the publication of World Records Volume 7: Technological Ecologies, edited by Counter Encounters Collective (Laura Huertas Millán, Onyeka Igwe, Rachael Rakes). Inspired by sites where nature and culture, the organic and the scientific, the human and the more-than-human merge in ways that threaten to dislodge these binaries altogether, this issue thinks through the frame of technological ecologies, which analyzes and contests the division between the ecological and the technological in an array of audiovisual practices. It integrates cinematic and recording devices into embodied, affective, and political nonfiction, resonating with Arturo Escobar’s notion of sentipensar (feel-think), which suggests a way of knowing that does not separate thinking from feeling, reason from emotion, knowledge from caring.