I remember a storm of light.
that moved the trees
and the shadows to revolt.
In her sleep she sees the light.
Time duplicates… like the waves of the sea.
A sound of gun fire.
I dream that I wake up.
The light is infectious.
The smoke is hovering over the city.
People in the small room gathered to watch the light. The first image glowed by a combustion of hydrogen gas and oxygen.
Even in winter people sweated because of the heat. The smoke arose from the cinema chimney against the snow.
Grr… Grr… Grr… Grr…
She joins the Sewing Machine United for Democracy.
The movement’s colour is black.
This film is called Invisibility.
A proposal for camouflage.
Invisibility displays Apichatpong’s continued interest in the issue of perception and memory. The videos depict a landscape where the protagonists are confined to a room, along with the viewers. With no way out, they infiltrate each other’s dreams. Taking a thread from his recent pieces, Cemetery of Splendour (2015) and Fever Room (2015-2016), both of which feature the same actors, this work also mirrors the troubled state of Thailand’s politics. It proposes a decayed vision of the future where one needs to constantly evade reality. The viewing experience shifts between seeing and not- seeing, fact and fiction, space and void.
This work has been showed at the Saitama Triennale (Japan, 2016) and his internationally traveling exhibition “The Serenity of Madness” since 2016.
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