Xu Zhen
Untitled
photo-Ed. 5
221x121 cm
2004
XZ33
BIOGRAPHY
简历
TEXTS PAGE
WORKS ARCHIVE
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Xu Zhen Untitled photo-Ed. 5 221x121 cm 2004 XZ33 |
BIOGRAPHY 简历 TEXTS PAGE WORKS ARCHIVE |
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Dang Dang
Dang Dang
Shanghai Biennale 2004
Light as fuck
Shanghai Assemblage 2000-2004
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| Xu Zhen Untitled 5 photo-Ed. 5 90 x 130 cm 2003 XZ26-5 |
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| Xu Zhen Untitled 7 photo-Ed. 5 90 x 150 cm 2003 XZ26-7 |
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| Xu Zhen Actually I'm also dim Printed post it installation 2000 |
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Xu Zhen Problem of colorfulnes Photo 2000 |
Xu Zhen Problem of colorfulnes Photo 2000 |
Xu Zhen Problem of colorfulnes Photo 2000 |
Xu Zhen
Sewer - Ed. 5
photo
30 x 380 cm
1999
XZ09
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Careful, Don't Get Dirty Sept. 19- Nov. 9, 2002 |
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La
Biennale di Venezia
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| 1977 | Born in Shanghai | |
| 1996 | Graduated Shanghai School of Arts and Crafts | |
| Lives and works in Shanghai | ||
| Selected Group Exhibitions | ||
| 2005 | Follow Me! Contemporary Chinese Art at the Threshold of the Millenium, Mori Art Museum, Tokyo | |
| Monuments of the USA, Wattis Institute for Contemporary Art, San Francisco, USA | ||
| Between Past and Future: New Photography and Video from China, Seattle Art Museum, Seattle, USA | ||
| Shanghai Constructions, Shanghai Gallery of Art, Shanghai | ||
| 2004 | Shanghai Surprise, lothringer dreizehn, Munchen, Germany | |
| Regeneration: Contemporary Chinese Art From China and the US, Jean Paul Slusser Gallery, Ann Arbor, USA | ||
| Is It Art? - Black Show, Noanoa Center, Xian | ||
| Is it Art? - White Show, Shanxi Provincial Art Museum, Xian | ||
| Zooming into Focus: Contemporary Chinese Photography and Video from the Haudenschild Collection, Shanghai Art Museum, Shanghai | ||
| Regeneration: Contemporary Chinese Art from China and the US, Samek Art Gallery, Bucknewll University, Lewisburg, USA | ||
| Chine:Generation video, Mep-Maison Europeene de la photographie, Paris, France | ||
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Techniques of the Visible,
5th
Shanghai Biennale,
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Between Past and Future: New Photography and Video from China, ICP and the
Asia Society, NY, USA (traveling, Museum of Contemporary Art and the Smart
Museum of Art, Chicago; Seattle Art Museum, the Santa Barbara Museum of Art, Haus der Kulturen der Welt, Berlin, Germany |
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| A I'ouest du sud de I'est, Centre Regional d'Art Contemprain, Villa Arson Nice, France | ||
| Light as Fuck! Shanghai Assemblage 2000-2004, The National Museum of Contemporary Art, Oslo, Norway | ||
| China Now, MoMA Film at the Gramercy Theater , New York, USA | ||
| 2003 | The Fifth System: Public Art in the Age of Post-Planning, He Xiangning Art Gallery, Shenzhen | |
| Dajia-Studying on Design from Contemporary Art, the Museum of Fudan University, Shanghai | ||
| Open Sky, Duolun Museum of Modern Art, Shanghai | ||
| Fabricated Paradises, Le Parvis centre d'art contemporain, Ibos, France | ||
| The Fifth System: Public Art in the Age of "Post - Planning", Overseas Chinese Town, Shenzhen | ||
| Department, Contemporary Art Exhibition, Hangzhou, China | ||
| Control-Z, Top Space, Beijing, China | ||
| "Zooming into Focus" - Chinese Contemporary Photography from the Haudenschild Collection, San Diego State University & San Diego Museum of Art, Shanghai Art Museum, China | ||
| The minority is subordinate to the majority, BizArt Art Center, Shanghai | ||
| +System, Short videos from the world 2002-2003, BizArt Art Center, Shanghai | ||
| 2002 | Careful, Don't Get Dirty, Galerie Waldburger, Berlin | |
| Fan Mingzhen & Fan Mingzhu (Twin exhibition) - Glad to meet, Jin Sha Jiang Rd., Shanghai | ||
| Too Much Flavour, 3H Art Center, Shanghai | ||
| VideoROM. Le Toit du Monde - Centre Multidisciplinaire Pour la Culture Actuelle"
Vevey. Switzerland, "VideoROM 2.0, Giancarla Zanutti Gallery, Milan, Italy |
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| 24:30 Contemporary Art Exhibition, Bizart, Shanghai | ||
| A Young Man, Bizart, Shanghai (solo show) | ||
| Art in General's, 4th Annual Video Marathon, 12 hour screening, New York, USA | ||
| 2001 | The First Valencia Biennal, Valencia, Spain | |
| Living in Time, Contemporary Artists form China, Hamburger Bahnhof, Berlin, Germany | ||
| La Biennale di Venezia, Venezia, Italy | ||
| Hotpot Kinesisk Samtidskunst, Hustnernes Hus, Oslo, Norway | ||
| Developing Time / Temps de Pause, Bizart, Shanghai | ||
| Mantic Ecstasy, Photography & Video, Hangzhou | ||
| Inside the body, ISE foundation, New York, USA | ||
| ARCO, Asian Party, Global Game (curated by Hou Hanru), Madrid, Spain | ||
| 2000 | Useful Life, (together with Yang Zhenzhong and Yang Fudong), Shanghai | |
| Uncooperative Approach, (Fuck Off), Shanghai | ||
| BIG Torino 2000, Torino, Italy | ||
| Inertia and Mask - Works on Paper, Shanghai | ||
| Video Circle, Hong Kong, Berlin, Germany | ||
| Exit, Chisenhale Gallery, London, UK | ||
| 1999 | Love, Tokyo Art Festival, Japan | |
| Food for Thought , MU Art Foundation, Eindhoven, The Netherlands | ||
| The Same but Also Changed, 859 Tian Yao Qiao Road, Shanghai | ||
| Ideas & Concepts, Shanghai | ||
| BM99 Biennial da Maya, Maya, Portugal | ||
| Exchange, Paris, France | ||
| Art for Sale, Shanghai Plaza, Shanghai | ||
| 1998 | Jin Yuan Lu 31, Shanghai | |
| Works (Selection) | |
| 1998 | Breath Video Installation 2 color TV set (21″&14″), 2VCR, VHS tapes, light sensitive sensor, electric fan, wooden cabinet (200×70×80) In a perfectly darkened room, a monitor is mounted on a cabinet, showing a close-up-sequence of someone blowing dry a liquid on the palms of his hands. With each blow, the screen lightens up for a couple of seconds and a draught of air can be felt. The room then returns to darkness. Once a minute a smaller monitor screen on the floor opens on a short scene about this liquid. “I realize- I am in the process of disappearing.” |
| Rainbow Video 3′59″ 1998
Someone beat the back by hands until the skin turn to red. |
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| Shouting Video 4′ 1998 Shouting in the crowds and shooting the scene that the people in the street turn back to see what ’s on. |
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| 1999 | From Inside the Body Video Installation 1999 Tow display screens simultaneously show a male and a female smelling their own bodies. A third screen in the middle shows a male smelling each others’ bodies. |
| But I Don't Need Anything Video 1999 | |
| 2000 | Sewer 380×30cm 2000 Photo Patchwork |
| Actually, I am also Dim 2000 installation with post-it notes printing |
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| The Problem of Color Photography, 13 Pieces, 2000 |
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| I’m changing here performance & video installation 2000 In a small room, 5 people move in the closed plastic bags, one of them shot the movement. The signals of image and voice are transmitted to the projector and audio in the next room. |
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| 2001 | Untitled performance 2 hours 2001 An empty space, white and bright. On a wall, about 8 arms are hanging out of some holes in the wall. As soon as visitors enter the room the arms point at them, and follow their movement until they exit the room. On the wall opposite the arms there a very big mirror and the door. A camera filming in the “performance-room” is connected to a monitor in the room next door: the operators look at what is happening in the room and act in consequence. |
| The Only Thing Black is Hair installation 2001 | |
| Articles: | |
| "Compelling Images of a Distant Life. Video as Expansion of Reality.", by Martina Köppel-Yang | |
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1977 |
生于上海 |
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1996 |
毕业于上海工艺美校 |
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主 要 个 展 和 联 展: |
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| 2004 | 过去与未来之间－来自中国的新摄影及录像，美国纽约国际摄影艺术中心 |
| 轻而易举！上海拼图2000－2004艺术展，国立当代美术馆，奥斯陆，挪威 | |
| A l'est du sud de l'ouest, 法国尼斯国家当代艺术中心 | |
| 今日中国，纽约现代艺术博物馆 | |
| 2003 | 第五系统：后规划时代的公共艺术，深圳何香凝美术馆 |
| 打开天空－上海多伦现代美术馆当代艺术展，上海多伦现代美术馆 | |
| 自制天堂，Le Parvis当代艺术中心，法国Ibos | |
| 聚焦：来自Haudenschild收藏机构的中国当代录像和摄影，美国圣地亚哥州立大学与艺术馆，中国上海美术馆 | |
| 大家－从当代艺术看设计，复旦大学博物馆，上海 | |
| Control-Z, 顶层空间，北京，中国 | |
| 多制式，2002-2003世界短片录像节，比翼艺术中心 | |
| 少数服从多数，比翼艺术中心，上海 | |
| 2002 | 小心，别弄脏, 柏林Waldburger画廊 |
| 范明珍和范明珠（双胞胎展览-你好你好），上海金沙江路1508号2楼 | |
| VideoROM, 世界屋顶－现代文化跨学科中心，瑞士韦维 | |
| VideoROM 2.0, 意大利米兰Giancarla Zanutti画廊 | |
| Art in General's, 纽约第4届录像马拉松 | |
| 趣味过剩, 3H艺术中心, 上海 | |
| 24:30 当代艺术交流展, 比翼画廊, 上海 | |
| 一个年轻人, 比翼画廊, 上海 | |
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2001 |
第49届威尼斯双年展，意大利，威尼斯 |
| 第1届巴伦西亚双年展，西班牙巴伦西亚 | |
| 生活在此时：中国当代艺术展，柏林汉堡火车站当代美术馆 | |
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进行时，上海 |
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附体：摄影录像展，杭州，上海，北京 |
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第1届马德里当代艺术博览会，西班牙 |
| 亚洲派对，全球游戏，ARCO基金会，西班牙马德里 | |
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2000 |
有效期，上海 |
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不合作方式，上海 |
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惰性与伪装纸上作品展，上海 |
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Big Torino都林双年展，意大利 |
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通道,Chisenhale画廊, 英国, 伦敦 |
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录像圈，香港，柏林 |
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1999 |
爱－中国当代摄影和录象，立川国际艺术节，日本 |
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精神食粮，MU艺术基金会荷兰 |
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物是人非摄影展, 上海 |
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观念概念，上 海 |
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玛雅双年展, 葡萄牙 |
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交换， 法国巴黎，法国 |
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超市，上 海 |
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1998 |
晋元路310号，上海 |
| 主要作品: | |
| 1998 | 息 录像装置 |
| 电视机两台（21″，14″），录像机VHS，光控感应器一台，风扇一台，木柜（200×70×80），音响。 柜中的显示器出现把手上的液体吹干的影像，观众在看的同时能感觉到与影像同步的风和声音。每吹完一口气图像消失。在地上的显示器约30秒出现一段关于液体的影像，现场无光。 “我发现我是在消失的过程中。” |
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| 彩虹 录像 3′59″ | |
| 用手打击背部，直至皮肤变红。 打击背部的手在录像中被抽帧剪去，只留下身体在令人惊颤的拍打声下本能地阵阵抽搐，同时皮肤逐渐产生细微色彩变化。 |
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| 喊 录像 4′ | |
| 在人群中大喊一声拍下他们回头的镜头 | |
| 1999 | 来自身体内部 录像装置 |
| 左边电视机播放男人闻体味的录像。同时右边电视机播放女人闻体味的录像。中间电视机的录像中沙发上空无一人。数分钟后，两人同时走入中间电视画面，互闻对方的体味。 | |
| 而我不需要什么 录像 | |
| 阴沟 380×30cm 2000 | |
| 照片拼贴 | |
| 2000 | 其实我也很模糊 |
| 留言贴上打印 | |
| 有颜色的困难 摄影 13张 | |
| 我在这里变化 表演、录像装置 | |
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两间相对的房间，一间房间被刷成白色，一个巨大的白色不透明塑料袋缓缓的蠕动，并发出嗞啦嗞啦的声响，塑料袋里面有五个穿着短裤的男人在慢慢的活动，其中一个人手提摄像机拍摄四个人身体的运动 另一间房间被刷成黑色，连接着摄像机的信号的投影机与音响播放着摄像机所拍摄的五个人在塑料袋内部的即兴表演。 |
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| 2001 | 无题 表演（2小时） |
| 在一堵墙上挂了8个手臂，观众进入现场后，所有的手忽然全部抬起，指着他，一动不动，直到他离开。 表演者躲在墙后。只是伸出一只手挂在墙外，通过监视器看到观众进入现场后，把手指向观众。 |
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| 只有毛是黑的 装置 | |
