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b. 1966, works and lives in Shanghai

other links:
Zhou Tiehai old...
Placebo Scroll
Le juge
158pcs in all of different size (the minimal one:15x10cm ; the maximal one:40x53cm)
158 pieces

Current And Upcoming Exhibitions:
Legacies of Exchange: Chinese Contemporary Art from the Yuz Foundation, LACMA,Los Angeles, 07.04, 2021 - 03.22, 2022


Zhou Tiehai's conceptual projects represent the artist's vengeful attitude towards the self-absorbed art market. His work's power to amaze and provoke is the result of a host of strategies that mix antagonism with sincerity. The key ingredients that drive Zhou Tiehai's unsettling yet amusing practice include appropriating classical imagery, generating ironic projections, proclaiming laconic yet heartfelt discourse, and actively subverting painterly craft. He takes on the role of both artist and patron as many of his airbrush paintings are rendered by assistants under his supervision. He permits himself to 'play' with art's historical baggage by making paintings that are simultaneously self-aware and self-abnegating, virtuosic and pop culture are both present within a single canvas. He manipulates acclaimed magazine covers for his own purposes and articulates the notion of 'artistic agency' within current conditions of the art world and global economy. He makes self-promotional images that subvert the establishment notion of how artists should look and behave.

In the "Placebo" and "Ego"(2006) series, Zhou Tiehai ironically replaces his subject's faces with a camel's head. He chooses canonical portraits by da Vinci, Goya, and Ingres as well as contemporary stars like Jeff Koons, Richard Prince, and Maurizio Cattelan as his models. Here too, the airbrush technique subverts the 'genius' brushstroke that is the 'inspired' individual signature of the classical master. A placebo is a substitute drug. It is an inert substance administered to stimulate the patient's psychosomatically induced curative effect. The constructed and appropriated imagery of Zhou Tiehai's praxis thus functions as a 'real' placebo. He makes critical art, but not in the conventional understanding of the term. While his works display a narrative that draws on contemporary topics, the mechanisms of artistic reception, and the market, he strategically refrains from making any clear value judgments.

Zhou Tiehai was born in 1966 in Shanghai, and attended the art school at the university there, where he also lives and works today. Zhou Tiehai has exhibited extensively internationally at institutions such as Yuz Museum, Shanghai (2017); MoCA, Shanghai (2010); Shanghai Art Museum, Shanghai (2006); Marella Arte Comtemporanea, Milan, Italy (2003); Hara Museum, Tokyo, Japan (2000); Kunsthal Rotterdam, The Netherlands (1998). Selected exhibitions including: MAXXI, Rome, Italy (2015); Yuz Museum, Shanghai (2014); China Art Museum, Shanghai (2013); Power Station of Art, Shanghai (2013);  Queensland Art Gallery (QAG), Australia (2012); ZKM | Center for Art and Media, Karlsruhe, Germany (2011); Asian Art Museum, San Francisco, U.S.A. (2010); KUNSTHALLE BERN, Switzerland (2009); Queensland Art Gallery, Australia (2006); National Gallery, Prague, Czech Republic (2005); Shanghai Art Museum, Shanghai (2004); Whitney Museum, New York, U.S.A. (2003); 4th Gwangju Biennial, Korea (2002); Nationalgalerie im Hamburger Bahnhof Museum fuer Gegenwartskunst, Berlin, Germany (2001); 48th International Art Exhibition Venice Biennale, Venice, Italy (1999); and Secession, Vienna, Austria etc. (touring exhibition 1998~1999) etc.


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