ShanghART Gallery 香格纳画廊
中文

Na Xiong Na Er
YANG ZHENZHONG 杨振中
2007
Single-channel video
10 minutes
Edition of 5 + 2AP
YZZU025

It is not unexpected for YANG Zhenzhong’s video art to contain manipulated images and motions of the famous Shanghai cityscape. This theme is most apparent in his works Let’s Puff and Light and Easy. In Na Xiong Na Er, YANG has not only once again manipulated our perception of city space, but also rid it of its innocence. In the video one follows a camera as it moves, at varying paces, up and down popular Shanghai skyscrapers. The camera is natural and unfocused, relevant to the overall theme of intercourse. The motion of the camera is juxtaposed to the sound of a woman moaning in the process of sex. As the woman’s voice gets faster and slower so does the motion of the camera on each building. The film finishes and the woman’s climax is illustrated with fireworks. Na Xiong Na Er, while admittedly humorous, is much more than simply a metaphor for sex or even male and female roles, as we saw in his 922 Rice Corns. Instead, this film accentuates the overpoweringly masculine traits of the modern skyline. The title itself translates to mean “that masculine power there”; that is to say that each building is, while also a blatant phallic symbol, also a form of masculine power.

Richelle Simon in July 2013

Detail pictures:

Related Exhibitions:
Up / Down Manchester School of Art's Holden Gallery, Manchester, U.K. 01.15, 2016 -03.04, 2016
YANG Zhenzhong Video Works at AVIFF Art Film Festival Cannes Cannes, France 05.15, 2014 -05.21, 2014
Revel MoCA, Shanghai 06.20, 2013 -08.11, 2013
Architectural Photography - Made in China MAKK, Cologne, Germany 09.01, 2012 -11.25, 2012
Yang Zhenzhong Nikolaj Copenhagen Contemporary Art Center, Denmark 02.22, 2008 -03.12, 2008
Artissima Cinema, Shanghype! Mirafiori Motor Village, Turin, Italy 11.09, 2007 -11.11, 2007
Individual Position 2 ShanghART H-Space, Shanghai 06.22, 2007 -08.20, 2007
NoNo Long March Space, Beijing 04.22, 2007 -06.17, 2007


Related Texts:
Medium, Installation and Bio-Politics in Contemporary Capital Space TEXT 2019