LI QINYANG 李沁洋
b. 1998, works and lives in Shanghai and London
The work centers on a pair of hands cast in glass, positioned atop a radiator. Carefully cradled within the palms is a moth’s detached wing. The wing, separated from its body, transforms what was once a mechanism for flight into a delicate, ethereal remnant. The transparency of the glass renders this subtle gesture simultaneously light and fragile, while the everyday presence of the radiator introduces a familiar, intimate domestic context. Here, “weightlessness” refers not only to a shift in physical or bodily state but also evokes a suspended emotional condition.
Detail pictures:
Facebook
Instagram
WeChat 微信