Patterns resembling Persian or Islamic design are silk screened onto the wooden obstacles that are made in accordance to measurements of Shanghai Minsheng Art Museum’s exists. The pieces are then disseminated across the property to the park as discarded objects. The dismembering of coeval de freesias suspends and disintegrates the violence that is associated with the device by remove the device’s functionality through relocation; the device will be reconstructed and restored through transformation and replacement. Coeval de fries reflect borders that separate social and political frame by acting as a divider between the public audience and particular audiences under a certain context of art. Meanwhile, the work is also the border between artists’ own social practices politics in art.