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APICHATPONG WEERASETHAKUL 阿彼察邦·韦拉斯哈古
b. 1970, works and lives in Chiang Mai, Thailand
APICHATPONG WEERASETHAKUL 阿彼察邦·韦拉斯哈古
2013
Single-channel video
Holo/Transparent screen 152*271cm
10 minutes
Edition of 5 + 2AP
AW_8347

Shot in black and white, Dilbar, which means ‘full of hearts’ in Bengali, is the name of the film’s main protagonist. He is a Bengali construction worker at the newly-built Sharjah Art Foundation Art Spaces. The city’s warm winter drives Dilbar into a slumber. His 'sleeping' existence shifts between the museum and the labour camp.

This hauntingly beautiful video installation depicts a portrait of a city builder, one of a million Bangladeshi workers currently living in the UAE. The work is not so much a structured narrative, as a series of hypnogogic, fragmented shots. Against the orchestrated sounds of dripping water and mechanical pounding, the dream-like and ghostly aura of Dilbar is seen drifting and hovering around, portraying the faint silhouette of the largely invisible migrant workforce in the UAE.

Detail pictures:

Related Exhibitions:
Experiences of Oil, Stavanger Art Museum, Stavanger, Norway 11.12, 2021 -04.18, 2022
Rituals of Signs and Metamorphosis, Red Brick Art Museum, Beijing 11.03, 2018 -04.07, 2019
Holzwege, ShanghART, Shanghai 11.09, 2016 -03.09, 2017


Collections
Red Brick Art Museum
MAIIAM Contemporary Art Museum
M+Collection



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