|
2025
|
The View within the View: Boedi Widjaja, Lv Yan, Zhang Wenxin, ShanghART WB Central, Shanghai
|
|
|
Rear Window & Real Wonder, HOW Museum, Shanghai
|
|
|
Stone, Orange Caves, Huangyan, Taizhou
|
|
2024
|
Enrooting, the Heterogeneous Phenomenon, Zhi Art Museum, Chengdu
|
|
|
In Harmony With The Way, ShanghART WB Central, Shanghai
|
|
|
The Larva of Time, Institute of Contemporary Arts at NYU Shanghai, Shanghai
|
|
2023
|
14th Shanghai Biennale, Cosmos Cinema, Power Station of Art, Shanghai
|
|
2022
|
Earth Heat Flow：The Visitor Who Returns to Solar Time, FRIENDSHIP ART COMMUNITY, Beijing
|
|
|
Edition 2022, MUTEK, Montréal, Canada
|
|
2021
|
BOOMERANG – OCAT Biennale 2021, OCAT Shenzhen, Shenzhen
|
|
|
Intermingling Flux: Guangzhou Image Triennial,
|
|
|
Space Oddity, UCCA Dune, Beidaihe
|
|
2020
|
China Imagined: BredaPhoto 2020, Breda, The Netherlands
|
|
|
Those who see all and know all, are all and can do all., 798 Art District, Beijing
|
|
|
filling the Klein bottle (x, y, z) {, Multi-site, Toronto & Unionville, Canada
|
|
2019
|
Lying Sophia and Mocking Alexa, Hyundai Motor Studio, Beijing
|
|
2017
|
The Esctasy of Time: Reframing the Medium of Knowing, He Xiangning Art Museum, Shenzhen
|
|
|
DATENTRÄUME, Goethe Institut, Beijing
|
|
2016
|
A Space-Time of Transitional Desires, The Clement, New York, USA
|
|
2015
|
The Second Three Shadows Experimental Image Open Exhibition, Three Shadows Photographic Art Center, Beijing
|
|
2014
|
Open Seas, Kala Art Institute, Berkeley, US
|
Facebook
Instagram
WeChat 微信