| 2025 | ART021 Shanghai Contemporary Art Fair 2025, Shanghai Exhibition Center, Shanghai | 
				
				
				
				
			
				|  | West Bund Art & Design Fair 2025, Booth No.1C03, WestBund International Convention & Exhibition Center, Shanghai | 
				
				
				
				
				
				
				
				
				
				
				
				
			
				|  | Tokyo Gendai, PACIFICO Yokohama Exhibition Hall C/D, Japan | 
				
				
				
				
				
				
			
				|  | Shanghai Modern, China Art Museum, Shanghai | 
				
				
				
				
				
				
			
				|  | Distant Mountains and Tides: A Dialogue of Contemporary Artists, Being Art Museum, Shanghai | 
				
				
				
				
			
				|  | Luminosity Reborn: Inaugural Exhibition of Fudan Art Museum, Fudan Art Museum, Shanghai | 
				
				
				
				
				
				
			
				|  | Light Delayed, SIMPLE ONE, Beijing | 
				
				
				
				
				
				
			
				|  | Staging Realities, ShanghART Singapore, Singapore | 
				
				
				
				
			
				|  | From Hen to Egg, ShanghART WB Central, Shanghai | 
				
				
				
				
			
				| 2024 | Shanghai: The City of photography 1910s-2020s, Minsheng Art Museum, Shanghai | 
				
				
				
				
				
				
			
				|  | Out of Silence, Chapter Two, Yuz Museum, Shanghai | 
				
				
				
				
			
				|  | The Perfect Path, Hangzhou, Marco Polo’s “City of Heaven”, Art Museum of China Academy of Art, Hangzhou | 
				
				
				
				
				
				
			
				|  | Open Ending: TFAM Screening Program, Taipei Fine Arts Museum, Taipei | 
				
				
				
				
			
				|  | Growth in Motion, ShanghART WB Central, Shanghai | 
				
				
				
				
				
				
			
				|  | Encounters. Artistic perspectives on cinema, Deutsches Theatermuseum München, Germany | 
				
				
				
				
				
				
			
				|  | 10 YEARS, ShanghART at West Bund 2015-2024, ShanghART, Shanghai | 
				
				
				
				
			
				|  | Etched in Time: the Experience and Transformation of Contemporary Art Collection in China, Ennova Art Museum, Langfang | 
				
				
				
				
			
				|  | A Constellation of Cities: Contemporary Art and Experiment in Southern China and Beyond, Guangdong Museum of Art (Baietan Area), Guangzhou | 
				
				
				
				
				
				
			
				|  | Lasting Impressions, ShanghART Singapore, Singapore | 
				
				
				
				
			
				|  | Great Flux, 1979 Gallery, Shenzhen | 
				
				
				
				
			
				|  | Diriyah Contemporary Art Biennale 2024, After Rain, JAX District, Diriyah, Saudi Arabia | 
				
				
				
				
			
				|  | The Imagery Between Lines and Paper, ShanghART, Shanghai | 
				
				
				
				
				
				
			
				| 2023 | Radical Joy: 2000AD, Suplus Space, Wuhan | 
				
				
				
				
				
				
			
				|  | Portraits, The 10th Anniversary of The Long Museum, Long Museum, Shanghai | 
				
				
				
				
			
				|  | Crossing the River by Feeling the Collectors, David Chau's Collection, iag, Shanghai | 
				
				
				
				
			
				|  | A Theatre of Waiting, The Cloud Collection, Nanjing | 
				
				
				
				
				
				
			
				|  | By Virtue of Situated Compromise, ASE Foundation, Shanghai | 
				
				
				
				
				
				
			
				|  | Romantic Wandering, Bund Art Center, Shanghai | 
				
				
				
				
			
				|  | Friends in the Arts: Chinese Collectors' New Contemporaries, Tank, Shanghai | 
				
				
				
				
			
				|  | Before Tomorrow – Thirty Years of Astrup Fearnley Museet, Astrup Fearnley Museum of Modern Art, Oslo, Norway | 
				
				
				
				
				
				
			
				|  | Projection, Sifang Art Museum, Nanjing | 
				
				
				
				
			
				|  | Poesie of Illusions, 13th Beijing International Film Festival - New Movement, UCCA Lab, Beijing | 
				
				
				
				
			
				|  | Trace - Formations of Likeness. Photography and Video from The Walther Collection, Haus der Kunst, Munich | 
				
				
				
				
			
				|  | Upstairs Cities, ASE Art Foundation, Shanghai | 
				
				
				
				
				
				
				
				
			
				|  | Cruel Youth Diary: Chinese Photography and Video from the Haudenschild Collection, Hammer Museum, Los Angeles, U.S.A. | 
				
				
				
				
				
				
				
				
			
				| 2022 | The First Beijing Biennial, National Base for International Cultural Trade, Beijing Friendship Store; M Woods Museum (Qianliang Hutong), Beijing | 
				
				
				
				
			
				|  | Start, Inaugural Exhibition, Start Museum, Shanghai | 
				
				
				
				
			
				|  | 40 Years of Chinese Photography, Kulangsu Center for Contemporary Art, Xiamen | 
				
				
				
				
				
				
			
				|  | Perpetuity, China Central Place, Shanghai | 
				
				
				
				
			
				|  | The second Edition "Golden Panda Photography Art Award" award-winning works exhibition, Chengdu Contemporary Image Museum, Chengdu | 
				
				
				
				
				
				
				
				
				
				
				
				
			
				|  | Emotional Asia - Miyatsu Daisuke Collection, Fukuoka Asian Art Museum, Japan | 
				
				
				
				
				
				
				
				
			
				|  | Open Up! - Celebrate 30th Anniversary of the Establishment of Diplomatic Ties between Korea and China, Online | 
				
				
				
				
			
				|  | Wang Xingwei in Shanghai 2002-2008, Power Station of Art Museum, Shanghai | 
				
				
				
				
				
				
			
				|  | Path 3.0, ShanghART Beijing, Beijing | 
				
				
				
				
			
				|  | Common Ground: UCCA 15th Anniversary Patrons Collection Exhibition, UCCA, Beijing | 
				
				
				
				
			
				|  | Literati and Artisan, Nanchizi Musuem, Beijing | 
				
				
				
				
			
				|  | For A Bigger Picture, APS Museum, Shanghai | 
				
				
				
				
				
				
				
				
				
				
			
				| 2021 | Thailand Biennale, Korat 2021, Thailand | 
				
				
				
				
			
				|  | Boomerang: OCAT Biennale 2021, OCAT, Shenzhen | 
				
				
				
				
			
				|  | Multi-Prismatic Mutual Views-International Invitational Exhibition of Contemporary Art, Macao Museum of Art, Macao | 
				
				
				
				
			
				|  | M+ Sigg Collection: From Revolution to Globalisation, M+ Museum, Hong Kong | 
				
				
				
				
				
				
				
				
			
				|  | Affirmation: Chinese Contemporary Art, Shanghai FTZ International Artwork Exchange Center, Shanghai | 
				
				
				
				
			
				|  | Back to Back—Viva Amicizia, CCC.Center for Cross Culture, Shanghai | 
				
				
				
				
				
				
				
				
			
				|  | Time Capsule: International Contemporary Art Exhibition, Cang Art Museum, Hangzhou | 
				
				
				
				
			
				|  | City on the Edge: Art and Shanghai at the Turn of the Millennium, UCCA Edge, Shanghai | 
				
				
				
				
			
				|  | The Circular Impact: Video Art 21, OCAT Shanghai, Shanghai | 
				
				
				
				
			
				|  | "Polyphonic Strategies: The Moving Image and its Expanded Fields", New Century Art Foundation, Beijing | 
				
				
				
				
			
				|  | The 13th Shanghai Biennale, Bodies of Water, Power Station of Art, Shanghai | 
				
				
				
				
			
				|  | Rethinking Collectivity: Guangzhou Image Triennial 2021, Guangdong Art Museum, Guangzhou | 
				
				
				
				
			
				|  | Aesthetics - Collection of Qiao Zhibing, Tank, Shanghai | 
				
				
				
				
			
				|  | First Spring, Chapter 1, Liang Shaoji, Yang Fudong, ShanghART Beijing, Beijing | 
				
				
				
				
			
				| 2020 | 2021 MMCA Collection Highlight: Absurdity Fantasy, Gwacheon, Korea | 
				
				
				
				
			
				|  | The Logic of Painting, Shijiangzhuang Art Museum, Hebei | 
				
				
				
				
			
				|  | Chinese Expressionist Art, Huatai Art, Shanghai | 
				
				
				
				
			
				|  | Noire Lumière, HOW Art Museum,Shanghai | 
				
				
				
				
				
				
			
				|  | Come across ShanghART, Art Tower, Shanghai | 
				
				
				
				
			
				|  | Duration: Chinese Art in Transformation, Beijing Mingsheng Art Museum, Beijing | 
				
				
				
				
			
				|  | Longing for Nature: Hidden Meanings in Chinese Landscape Art, Museum Rietberg, Zürich, Switzerland | 
				
				
				
				
			
				|  | Muses, Yu Gong and Compasses, Pingshan Art Museum, Shenzhen | 
				
				
				
				
				
				
			
				|  | Daisuke Miyatsu:25 Years of Video Art | A Point of Transit Signals from East and South East Asia, ALIEN Art Centre, Kaohsiung | 
				
				
				
				
			
				|  | Meditations in an Emergency, UCCA,  Beijing | 
				
				
				
				
			
				|  | Cache: From B to Z, ShanghART, Shanghai | 
				
				
				
				
			
				|  | About us, Young Photography from China, Alexander Tutsek-Stiftung, Munich, Germany | 
				
				
				
				
				
				
				
				
				
				
			
				| 2019 | Time Cubism, Gwangju Art Museum, Korea | 
				
				
				
				
			
				|  | Roots of Clouds Adrift—Temporality: OCAT Nanjing Qixia Public Art Project 2019, OCAT, Nanjing | 
				
				
				
				
				
				
			
				|  | Free Prism - Video Wave, Boxes Art Museum, Foshan | 
				
				
				
				
			
				|  | The Return of Guests, Power Station of Art, Shanghai | 
				
				
				
				
			
				|  | The Painted Screen: Past and Future, Suzhou Museum, Suzhou | 
				
				
				
				
			
				|  | The Exhibition of Annual of Contemporary Art of China, Beijing Minsheng Art Museum,Beijing | 
				
				
				
				
				
				
			
				|  | The Art of Love, K11, Shenyang | 
				
				
				
				
			
				|  | Entropy, Fondazione Giorgio Cini, San Giorgio Maggiore, Venice, Italy | 
				
				
				
				
			
				|  | 2019 Wuzhen International Contemporary Art Exhibition: Now Is the Time, Wuzhen | 
				
				
				
				
				
				
			
				|  | 5th Collectors’ Contemporary Collaboration, Pao Galleries, Hong Kong Arts Centre, Hong Kong | 
				
				
				
				
			
				|  | Under Construction, The Tank, Shanghai | 
				
				
				
				
			
				|  | SYNCHRONICTY  - Daisuke Miyatsu Collection x Kasama Nichido Museum of Art Blending the quintessence of modern and contemporary art, Nichido Museum of Art, Kasama, Japan | 
				
				
				
				
			
				|  | Hic Sunt Leones, Surplus Space, Wuhan | 
				
				
				
				
			
				|  | The Avant-Garde is Not Afraid of a Long March, ShanghART Singapore, Singapore | 
				
				
				
				
				
				
			
				| 2018 | FROM/TO The Frontier of Chinese Art Education, China Academy of Art in San Francisco, San Francisco Art Institute | 
				
				
				
				
			
				|  | From/To:   the Frontier of Chinese Art Education, SFAI:Chestnut Street Campus, 800 Chestnut Street, San Francisco | 
				
				
				
				
			
				|  | The 12th Shanghai Biennale: Proregress — Art in an Age of Historical Ambivalence, Power Station of Art, Shanghai | 
				
				
				
				
			
				|  | From 1978 To 2018: Art History Shaped by 40 Artists, Shanghai Powerlong Museum, Shanghai | 
				
				
				
				
				
				
				
				
			
				|  | 3rd Beijing Biennial, Troubled Intentions Ahead: Confusing Public and Private, CAFA Art Museum Beijing, Beijing & The cultural industry center of Beizhen, Jinzhou, Liaoning | 
				
				
				
				
			
				|  | Shanghai Beat - The Dynamism of Contemporary Art Scene in Shanghai, Contemporary Art Museum, Kumamoto, Japan | 
				
				
				
				
				
				
				
				
			
				|  | 40 Years of Chinese Contemporary Photography (1976-2018), OCAT, Shenzhen | 
				
				
				
				
				
				
			
				|  | Oriental Peach Valley, Contemporary Chinese Art with Sources of the Traditional Oriental Aesthetics, Werkschau Halle, Spinnerei Leipzig, Germany | 
				
				
				
				
			
				|  | Entropy I, Faurschou Foundation, Beijing | 
				
				
				
				
				
				
			
				|  | 20 years art space Riehen - the anniversary exhibition, Kunst Raum Riehen,Baselstrasse 71  4125 Riehen, Basel, Switzerland | 
				
				
				
				
			
				|  | White Flash, ShanghART Beijing, Beijing | 
				
				
				
				
			
				|  | This is Shanghai, Chinese Contemporary Art, Cunard Building, Liverpool, U.K. | 
				
				
				
				
				
				
				
				
			
				|  | Art and China after 1989: Theater of the World, Guggenheim Museum Bilbao, Spain | 
				
				
				
				
				
				
				
				
				
				
			
				|  | As A Reason for December 12th, Imagokinetics Lab - ChaBu, Hangzhou | 
				
				
				
				
			
				| 2017 | 15 Artists - Art Exhibition of Zhejiang Academy of Art, Beijing | 
				
				
				
				
			
				|  | The Reason Why Classic Is, Artron Art Center, Shenzhen | 
				
				
				
				
			
				|  | Landmark, Guardian Art Centre, Beijing | 
				
				
				
				
			
				|  | B3 Biennial of the Moving Image 2017, Frankfurt, Germany | 
				
				
				
				
			
				|  | Last Night's Fortune Teller, Dritter Teil einer Ausstellungsreihe mit Neuerwerbungen chinesischer und internationaler Kunst, Daimler Contemporary, Berlin, Germany | 
				
				
				
				
			
				|  | Last Night’s Fortune Teller, Daimler Contemporary Berlin, Germany | 
				
				
				
				
				
				
			
				|  | Shanghai Urban Space Art Season - Design Approach of Local and Historical Characters: Site Project of Xuhui, Blackstone Apartment, Shanghai | 
				
				
				
				
			
				|  | Art and China After 1989: Theater of the World, Solomon R. Guggenheim Museum, New York, U.S.A. | 
				
				
				
				
			
				|  | Culture City of East Asia 2017 Kyoto : Asia Corridor Contemporary Art Exhibition, Nijo Castle, Kyoto Art Center, Kyoto, Japan | 
				
				
				
				
			
				|  | Physical Theatre, ShanghART, Shanghai | 
				
				
				
				
			
				|  | 40 Years of Chinese Contemporary Photography (1976-2017), The 10th Anniversary Special Exhibition of Three Shadows, Three Shadows Photography Art Centre, Beijing | 
				
				
				
				
			
				|  | Chinese Contemporary Art 2016, Beijing Minsheng Art Museum, Beijing | 
				
				
				
				
			
				|  | Chinese Summer, Astrup Fearnley Museet, Oslo, Norway | 
				
				
				
				
			
				|  | The Modern Look, Part I, Modern Art Base, Shanghai | 
				
				
				
				
			
				|  | Post-sense Sensibility-Trepidation and Will, Ming Contemporary Art Museum, Shanghai | 
				
				
				
				
			
				|  | New Acquisitions 2013~2016, From KIM Whanki to YANG Fudong, The National Museum of Modern and Contemporary Art of Korea, Seoul, Korea | 
				
				
				
				
			
				|  | Imaginary Asia, Nan June Paik Art Center,Yongin, Korea | 
				
				
				
				
			
				|  | Energy Field - Transmedia ART Exhibition, Museum of Contemporary Art, Shanghai | 
				
				
				
				
			
				| 2016 | Talk Talk, Surplus Space, Wuhan | 
				
				
				
				
			
				|  | 20, Fosun Foundation, Shanghai | 
				
				
				
				
			
				|  | The Decameron, BMCA Documenting Art, Cao Chang Di, Beijing | 
				
				
				
				
				
				
			
				|  | Holzwege, ShanghART, Shanghai | 
				
				
				
				
				
				
			
				|  | Post-sense Sensibility, Trepidation and Will, Beijing Minsheng Art Museum, Beijing | 
				
				
				
				
			
				|  | Dialog of tradition, spaces and times, Krasnoyarsk Museum Centre, Krasnoyarsk, Russia | 
				
				
				
				
			
				|  | The Pleasure of Love-56th October Salon, Belgrade, Republic of Serbia | 
				
				
				
				
			
				|  | Shan Shui - A Manifesta, Gong Wang Art Museum, Hangzhou | 
				
				
				
				
			
				|  | Time Test: International Video Art Research Exhibition, Redtory Museum of Contemporary Art | RMCA, Guangzhou | 
				
				
				
				
			
				|  | Studio, Qiao Space, Shanghai | 
				
				
				
				
				
				
			
				|  | Histories of a Global  Hub, Suzhou Documents, Suzhou Museum, Suzhou | 
				
				
				
				
			
				|  | Turning Point: Contemporary Art in China Since 2000, Shanghai Minsheng Art Museum, Shanghai | 
				
				
				
				
			
				|  | The Uncertain, or the Shelved..., ShanghART H-Space, Shanghai | 
				
				
				
				
			
				|  | The Uncertain, or the Shelved..., ShanghART Main Space, Shanghai | 
				
				
				
				
			
				|  | Time Test: International Video Art Research Exhibition, CAFA Art Museum, Beijing | 
				
				
				
				
			
				|  | Fireflies in the Night Take Wing: international video art survey in Athens, Stavros Niarchos Foundation, Athens, Greece | 
				
				
				
				
			
				|  | New Capital, Huang Yu Collection Exhibition, Museum of Contemporary Art Chengdu, Chengdu | 
				
				
				
				
				
				
				
				
				
				
				
				
				
				
			
				|  | What About the Art? Contemporary Art from China, Qatar Museums Gallery Al Riwaq, Doha, Qatar | 
				
				
				
				
			
				|  | Variationes, 10 Corso Como Gallery - Top Floor, Shanghai | 
				
				
				
				
			
				|  | La Collection, un choix d’œuvres chinoises, Fondation LVMH, Paris, France | 
				
				
				
				
			
				|  | Bentu - Chinese Artists In A Time of Turbulence and Transformation, Fondation Louis Vuitton, Paris, France | 
				
				
				
				
				
				
				
				
			
				| 2015 | Nonfigurative, Shanghai 21st Century Minsheng Art Museum, Shanghai | 
				
				
				
				
			
				|  | L’Année dernière à Marienbad (Last Year at Marienbad), Kunsthalle Bremen, Bremen, Germany | 
				
				
				
				
				
				
			
				|  | City Vision, 2015 Shanghai Artists' Works Exhibition, Cloud Art Center, Shanghai | 
				
				
				
				
				
				
				
				
			
				|  | Comfort, ShanghART Beijing Group Exhibition, ShanghART Beijing, Beijing | 
				
				
				
				
			
				|  | Chinese Utopia’s Revisited – The Elephants, BOZAR, Brussel, Belgium | 
				
				
				
				
			
				|  | Strange Worlds, Modena Foro Boario, Modena, Italy | 
				
				
				
				
			
				|  | The Second Three Shadows Experimental Image Open Exhibition, Three Shadows Photographic Art Center, Beijing | 
				
				
				
				
				
				
			
				|  | The Civil Power, Beijing Minsheng Art Museum, Beijing | 
				
				
				
				
			
				|  | China 8, Contemporary Art from China at the Rhine and Ruhr, Lehmbruck Museum, Duisburg, Germany | 
				
				
				
				
			
				|  | Go East: The Gene & Brian Sherman Contemporary Asian Collection, Art Gallery of New South Wales, Sydney, Australia | 
				
				
				
				
			
				|  | Inventing the possible, an ephemeral video library, Arts Santa Monica, Barcelona, Spain | 
				
				
				
				
			
				|  | From a Poem to the Sunset, First part of an exhibition series with new acquisitions of contemporary Chinese and international art, Daimler Contemporary Berlin, Berlin, Germany | 
				
				
				
				
			
				|  | Fairytale, International Video Art Festival, Museum of Contemporary Art, Taipei | 
				
				
				
				
			
				|  | Re-exposure, Poly Gallery, Hong Kong | 
				
				
				
				
			
				|  | Essential Matters-Moving Images from China, Borusan Contemporary Perili Kosk, Istanbul, Turkey | 
				
				
				
				
				
				
			
				|  | Sudden Change of Idea: An Exhibition on Comparative Study between Chinese and German Conceptual Art, United Art Museum, Wuhan | 
				
				
				
				
			
				|  | Creating Realities, Encounters between Art and Cinema, Pinakothek der Moderne, Munich, Germany | 
				
				
				
				
				
				
			
				|  | Grain to Pixel, A Story of Photography in China, Shanghai Center of Photography, Shanghai | 
				
				
				
				
				
				
				
				
				
				
				
				
				
				
			
				| 2014 | The Making of a Museum, Aurora Museum, Shanghai | 
				
				
				
				
				
				
				
				
			
				|  | An Estranged Paradise, Chinese contemporary art from the DSL collection, Jewish museum and tolerance center, Moscow, Russia | 
				
				
				
				
				
				
			
				|  | Xiang Jie, Shanghai Sculpture Space, Shanghai | 
				
				
				
				
				
				
			
				|  | Inventer le Possible, Vidéothèque éphémère 2, Jeu de Paume, Paris, France | 
				
				
				
				
			
				|  | Narrative/Performative, Kunst Raum Riehen, Basel, Switzerland | 
				
				
				
				
			
				|  | Montevideo Biennale, Montevideo, Uruguay | 
				
				
				
				
			
				|  | 2014 Wuhan 3rd Documentary Exhibition of Fine Arts: Re-modernization, Hubei Art Museum, Wuhan | 
				
				
				
				
			
				|  | Chinese Contemporary Photography: 2009-2014, Minsheng Art Museum, Shanghai | 
				
				
				
				
				
				
			
				|  | BankART Life 4 - Dream of East Asia, BankART Studio NYK and others, Yokohama, Japan | 
				
				
				
				
				
				
				
				
			
				|  | Right is Wrong: Four Decades of Chinese Art from the M+ Sigg Collection, Bildmuseet, Umeå, Sweden | 
				
				
				
				
			
				|  | Modernity 3.0, 80wse Gallery of NYU, New York, U.S.A | 
				
				
				
				
				
				
			
				|  | Tales from the Taiping Era, Redbrick Art Museum, Beijing | 
				
				
				
				
			
				|  | Myth/History: Yuz Collection of Contemporary Art, Yuz Museum, Shanghai | 
				
				
				
				
				
				
			
				|  | Post-Sense Sensibility, Duddell’s, Hong Kong | 
				
				
				
				
			
				|  | Unbound: Contemporary Art After Frida Kahlo, Museum of Contemporary Art, Chicago, USA | 
				
				
				
				
			
				|  | China Arte Brasil, OCA, Parque Ibirapuera, Sao Paulo, Brazil | 
				
				
				
				
			
				|  | Re-View, Opening Exhibition of Long Museum West Bund, Long Museum West Bund, Shanghai | 
				
				
				
				
			
				|  | Three Shadows First Experimental Image Open Exhibition, Three Shadows, Beijing | 
				
				
				
				
			
				|  | Art Dubai 2014, Madinat Jumeirah, Dubai, UAE | 
				
				
				
				
			
				|  | Pandamonium: Media Art from Shanghai, Kunstquartier Bethanien, Mariannenlatz 2, Berlin, Germany | 
				
				
				
				
			
				|  | 5 Plus, ShanghART Beijing, Beijing | 
				
				
				
				
			
				|  | Starlight, ShanghART Main Space, Shanghai | 
				
				
				
				
			
				| 2013 | Ink Art: Past as Present in Contemporary China, The Metropolitan Museum of Art, New York, U.S.A. | 
				
				
				
				
				
				
				
				
				
				
			
				|  | Multiple Encounters, Berkeley Art Museum, San Francisco, USA | 
				
				
				
				
			
				|  | The Garden of Diversion, Sifang Art Museum Inaugural Exhibition, Sifang Art Museum, Nanjing | 
				
				
				
				
			
				|  | Hermit's Springs: Calligraphy, Landscape Painting and Garden-making, West Lake Expo Museum, Hangzhou | 
				
				
				
				
				
				
			
				|  | West Bund 2013: A Biennial of Architecture and Contemporary Art, Waterfront of Xuhui District, Shanghai | 
				
				
				
				
				
				
			
				|  | La Biennale de Lyon 2013, Lyon, France | 
				
				
				
				
			
				|  | Incorruptible Views: Images in Present Continuous, Curated by Alfons Hug, MUNTREF Centre of Contemporary Art, Buenos Aires, Argentina | 
				
				
				
				
			
				|  | Clutch, ShanghART H-Space, Shanghai | 
				
				
				
				
			
				|  | Portrait of the Times, 30 Years of Chinese Contemporary Art, Power Station of Art, Shanghai | 
				
				
				
				
			
				|  | Modern Families, Relatives and Relationships in Art, Lewis Glucksman Gallery, University College Cork, Ireland | 
				
				
				
				
				
				
			
				|  | The Idyllic Synthesis: Contradictions of Vision and Reality, Seoul Museum of Art, Seoul, Korea | 
				
				
				
				
				
				
			
				|  | A Century of Chinese Cinema, TIFF Bell Lightbox, Toronto, Canada | 
				
				
				
				
			
				|  | Truth, Beauty, Freedom and Money, K11 Art Mall, Shanghai | 
				
				
				
				
				
				
			
				|  | China China, A Group Show of Chinese Artists, Pinchuk ArtCentre, Kiev, Ukraine | 
				
				
				
				
				
				
			
				|  | People's Park, The Cube Space, Taipei, Taiwan | 
				
				
				
				
			
				|  | Contemporary Art in China, 1990-2012, Zhong Gallery, Berlin, Germany | 
				
				
				
				
			
				|  | The Rapture of Romantic Illusions, Fudi Aromatic Villa, Shanghai | 
				
				
				
				
			
				|  | Lightness, A Clue and Six Faces, Hive Center For Contemporary Art, Beijing | 
				
				
				
				
			
				|  | Mise-en-scene, LEEUM, Samsung Museum of Art, Seoul, Korea | 
				
				
				
				
				
				
			
				|  | Sharjah Biennial 11: Re: emerge, Towards a New Cultural Cartography, Sharjah Art Foundation, Sharjah, United Arab Emirates | 
				
				
				
				
			
				|  | Shanghai Surprise, A Group Show on Contemporary Art in Shanghai, K11 Art Mall, Shanghai | 
				
				
				
				
			
				|  | Moving on Asia, Towards a New Art Network 2004-2013, City Gallery Wellington, New Zealand | 
				
				
				
				
			
				|  | People, Selected Parkett Artists’ Editions (1984-2013), Parkettart Zurich Exhibition Space, Zürich, Switzerland | 
				
				
				
				
				
				
			
				| 2012 | Give Me Five, Contemporary Art Exhibition, United Plaza, Hangzhou | 
				
				
				
				
				
				
			
				|  | Queen LiLi's Garden, BIRD HEAD, CHEN Xiaoyun, GENG Jianyi, LIANG Yue, SUN Xun, YANG Fudong Video& Photography, ShanghART Main Space, Shanghai | 
				
				
				
				
			
				|  | The Discreet Charm of the Bourgeoisie, Contemporary Visions on China, Taipei | 
				
				
				
				
				
				
			
				|  | Conceptual Renewal, Short History of Chinese Contemporary Photographical Art, Si Shang Art Museum, Beijing | 
				
				
				
				
			
				|  | Perspectives 180 - Unfinished Country, New Video from China, The Contemporary Art Museum in Houston, U.S.A. | 
				
				
				
				
				
				
			
				|  | Asia Pacific Contemporary media arts from Daisuke Miyatsu Collection -", Amuse Kashiwa- Crystal Hall, Kashiwa City, Japan | 
				
				
				
				
			
				|  | Fruits de la passion, Centre Pompidou - Musée national d’art moderne, Paris, France | 
				
				
				
				
			
				|  | Expanded Cinema: Isaac Julien, Fiona Tan, Yang Fudong, Eye Film Institute, Amsterdam,  the Netherlands | 
				
				
				
				
			
				|  | Transformation: A View on Chinese Contemporary Art, The Istanbul Museum of Modern Art, İstanbul, Turkey | 
				
				
				
				
			
				|  | Ctrl+N: Non-Linear Practice, 2012 Gwangju Biennial Special Exhibition, Gwangju Museum of Art, Korea | 
				
				
				
				
			
				|  | EDIT: Image Fetish and Phobia, ShanghART H-Space, Shanghai | 
				
				
				
				
			
				|  | The First Xinjiang Biennale of Contemporary Art, Xinjiang International Exhibition Centre, Xinjiang | 
				
				
				
				
			
				|  | 2×Helbling in Shanghai, IG Halle, Kunst(zeug)haus, Rapperswil, Switzerland | 
				
				
				
				
				
				
				
				
			
				|  | Wandering Eyes: Video Art from Shanghai Exhibition, State Gallery Linz, Austria | 
				
				
				
				
			
				|  | TransMedia Art & Fashion Exhibition, Shanghai Sculpture Space, Shanghai | 
				
				
				
				
				
				
			
				|  | The First Kyiv International Biennial of Contemporary Art  ARSENALE 2012, The Best of Times, The Worst of Times: Rebirth and Apocalypse in Contemporary Art, Mystetskyi Arsenal, Kyiv (Kiev), Ukraine | 
				
				
				
				
				
				
				
				
			
				|  | 60-Minute Cinema, Chinese Arts Centre, Manchester, U.K. | 
				
				
				
				
			
				|  | Beyond Time, International Video Art Today, KULTURHUSET, Stockholm, Sweden | 
				
				
				
				
			
				|  | Face, Minsheng Art Museum, Shanghai | 
				
				
				
				
				
				
			
				|  | Boy: A Contemporary Portrait, Leo Xu Projects, Shanghai | 
				
				
				
				
			
				|  | La La La Human Steps, The Istanbul Museum of Modern Art, İstanbul, Turkey | 
				
				
				
				
			
				| 2011 | Wanxiang, China Art Academy Photography Exhibition, China Academy of Art, Hangzhou | 
				
				
				
				
			
				|  | One World Exposition / Fifth Night, Spring Workshop, Hong Kong | 
				
				
				
				
				
				
				
				
			
				|  | Super Organism, CAFA Art Museum, Beijing | 
				
				
				
				
			
				|  | Moving Image in China: 1988-2011, Minsheng Art Museum, Shanghai | 
				
				
				
				
				
				
			
				|  | Poster Exhibition, TOP Events, Shanghai | 
				
				
				
				
			
				|  | GENG Jianyi, WU Shanzhuan, YANG Fudong: Waterworks, ShanghART H-Space, Shanghai | 
				
				
				
				
				
				
			
				|  | Invisibleness is Visibleness, International Contemporary Art Collection of a Salaryman-- Daisuke Miyatsu, Museum of Contemporary Art, Taipei | 
				
				
				
				
			
				|  | Collecting History, China New Art, Chengdu Museum of Contemporary Art, Chengdu | 
				
				
				
				
			
				|  | Expanded Cinema, MMOMA and CCC Garage, Moscow, Russia | 
				
				
				
				
				
				
			
				|  | Move on Asia, the End of Video Art, Casa Asia-Barcelona, Barcelona, Spain | 
				
				
				
				
			
				|  | 2011 Changwon Asian Art Festival, "Self Camera: Repositioning Modern-Self", Sungsan Art-Hall, Changwon, Korea | 
				
				
				
				
			
				|  | Out of the Box, The Threshold of Video Art in China (1984-1998), Guangdong Times Museum, Guangzhou | 
				
				
				
				
			
				|  | I Know Something about Love, Parasol Unit Foundation for Contemporary Art, London, U.K. | 
				
				
				
				
			
				|  | Dual Senses and Dynamic Views - Contemporary Art Exhibition across the Taiwan Straits of 2011, The National Art Museum of China, Beijing | 
				
				
				
				
				
				
				
				
			
				| 2010 | 21st Century: Art in the First Decade, Queensland Art Gallery | Gallery of Modern Art, Brisbane, Australia | 
				
				
				
				
			
				|  | Out of the Box, The Threshold of Video Art in China, Boers-Li Gallery, Beijing | 
				
				
				
				
				
				
			
				|  | A Decade Long Exposure, The Central Academy of  Fine Arts and Chinese Contemporary Photography, CAFA Art Museum, Beijing | 
				
				
				
				
			
				|  | China Power Station: Part IV, Pinacoteca Agnelli, Torino, Italy | 
				
				
				
				
			
				|  | 8th Shanghai Biennale, Rehearsal, Shanghai Art Museum, Shanghai | 
				
				
				
				
				
				
			
				|  | Dial 62761232, A Document On A Contemporary Art Event, ShanghART Taopu, Shanghai | 
				
				
				
				
			
				|  | Useful Life 2010, ShanghART H-Space, Shanghai | 
				
				
				
				
			
				|  | Credit Suisse Today Art Award 2010, Today Art Museum, Beijing | 
				
				
				
				
			
				|  | Aichi Triennale 2010, Arts and Cities, Aichi Arts Center; Nagoya City Art Museum; the Choja-machi area, Japan | 
				
				
				
				
				
				
				
				
				
				
				
				
				
				
			
				|  | Nature of China - 2010 Contemporary Art Documenta, True Color Museum, Suzhou | 
				
				
				
				
			
				|  | 幕MU: Screen, Three Generations of Chinese Video Art, UTS Gallery, Sydney, Australia | 
				
				
				
				
			
				|  | Roundtrip:Beijing—New York Now, Selections from the Dumus Collection, UCCA, Beijing | 
				
				
				
				
				
				
			
				|  | 17th Biennale of Sydney 2010, THE BEAUTY OF DISTANCE: Songs of Survival in a Precarious Age, Sydney Museum of Contemporary Art, Sydney, Australia | 
				
				
				
				
			
				|  | Reshaping History: Chinart from 200-2009, The Theme, China National Convention Center, Beijing | 
				
				
				
				
				
				
			
				|  | Re-Imagining the Real, Photography Show of Gao Lei, Shi Guorui, Yang Fudong, Zhuang Hui, Yuz Museum, Indonesia-Jakarta | 
				
				
				
				
			
				|  | Jungle: A Close-Up Focus on Chinese Contemporary Art Trends, Platform China, Beijing | 
				
				
				
				
			
				|  | Shanghai, Asian Art Museum, San Francisco, U.S.A. | 
				
				
				
				
			
				|  | The Big Bang, White Rabbit Collection, Sydney, Australia | 
				
				
				
				
			
				|  | Contemporary Magic, A Tarot Deck Art Project, Tour Exhibition, U.S.A. | 
				
				
				
				
			
				| 2009 | Breaking Forecast, 8 Key Figures of China's New Generation Artists, UCCA, Beijing | 
				
				
				
				
				
				
			
				|  | The State of Things, Contemporary Art from China and Belgium, BOZAR Centre for Fine Arts, Brussels, Belgium | 
				
				
				
				
				
				
			
				|  | Collision, Experimental Cases of Contemporary Chinese Art, CAFA Art Museum, Beijing | 
				
				
				
				
			
				|  | Reversed Image, Representations of Shanghai and its Contemporary Material Culture, Museum of Contemporary Photography at Columbia College Chicago, Chicago, U.S.A. | 
				
				
				
				
			
				|  | The Symbolic Efficiency of the Frame, T.I.C.A.B – Tirana International Contemporary Art Biannual, Tirana Institute for Contemporary Art, Tirana, Albania | 
				
				
				
				
			
				|  | Scene, A Dialogue With Space & Time, River South Art Center, Shanghai | 
				
				
				
				
			
				|  | Useful Life, MuHKA, Antwerpen, Belgium | 
				
				
				
				
			
				|  | Bourgeoisified Proletariat, Contemporary Art Exhibition in Songjiang, Shanghai Songjiang Creative Studio, Shanghai | 
				
				
				
				
			
				|  | Shanghai History in Making from 1979 till 2009, 436 Jumen Rd., Shanghai | 
				
				
				
				
			
				|  | First Annual Conference of Collectors of Chinese Contemporary Art, Hejingyuan Art Museum, Beijing | 
				
				
				
				
			
				|  | Warm Up, Minsheng Art Museum, Shanghai | 
				
				
				
				
				
				
				
				
			
				|  | Rites de Passage, Schunk, Glaspaleis Heerlen, The Netherlands | 
				
				
				
				
			
				|  | Isabelle Huppert, Woman of Many Faces, UCCA, Beijing | 
				
				
				
				
				
				
			
				|  | Shanghai Kino, Kunsthalle Bern, Switzerland | 
				
				
				
				
			
				|  | Blackboard, ShanghART H-Space, Shanghai | 
				
				
				
				
			
				|  | Louis Vuitton: A Passion for Creation, Contemporary Hong Kong Art Gallery,Hong Kong | 
				
				
				
				
				
				
				
				
				
				
			
				|  | The China Project - Three Decades: The Contemporary Chinese Collection, Queensland Art Gallery, Australia | 
				
				
				
				
			
				|  | Another Scene, Artists' Projects, Concepts and Ideas, ShanghART H-Space, Shanghai | 
				
				
				
				
				
				
			
				| 2008 | Five Years of Duolun, Chinese Contemporary Art Retrospective Exhibition, Duolun Museum of Modern Art, Shanghai | 
				
				
				
				
				
				
			
				|  | Asian Dub Photography, Fondazione Cassa di Risparmio, Italy | 
				
				
				
				
				
				
			
				|  | Moscow On the Move, GCCC Offsite Project, Garage, Center for Contemporary Culture, Moscow, Russia | 
				
				
				
				
			
				|  | I Still Believe in Tomorrow, Contemporary Video From Asia, Museum of Fine Art, Houston, U.S.A. | 
				
				
				
				
			
				|  | Sprout from White Nights, A Meeting with Chinese Contemporary Art Exhibition, Bonniers Konsthall, Stockholm, Sweden | 
				
				
				
				
			
				|  | The 5th Seoul International Media Art Biennale, Seoul Museum of Art, Seoul, Korea | 
				
				
				
				
			
				|  | Insomnia, Photographs Exhibition, BizART, Shanghai | 
				
				
				
				
			
				|  | The Third Guangzhou Triennial: Farewell to Post-Colonialism, Guangdong Museum of Art, Guangzhou | 
				
				
				
				
			
				|  | Avant-Garde China: Twenty Years of Chinese Contemporary Art, The National Art Center, Tokyo; The National Museum of Art, Osaka; Aichi Prefectural Museum of Art, Nagoya, Japan | 
				
				
				
				
			
				|  | Our Future, The Guy & Myriam Ullens Foundation Collection, UCCA, Beijing | 
				
				
				
				
			
				|  | The World of Other's, A Contemporary Art Exhibition, Museum of Contemporary Art, Shanghai | 
				
				
				
				
				
				
			
				|  | Focus Shanghai, New Video from China, Anthology Film Archives, New York, U.S.A. | 
				
				
				
				
			
				|  | Shanghai Kaleidoscope, Royal Ontario Museum (ROM), Toronto, Canada | 
				
				
				
				
			
				|  | China New Vision, The Contemporary Collection of Shanghai Art Museum, Centro Arte Moderna e Contemporanea della Spezia, Italy | 
				
				
				
				
			
				|  | Community of Tastes, The Inaugural Exhibition of Iberia Center for Contemporary Art, Iberia Center for Contemporary Art, Beijing | 
				
				
				
				
			
				|  | Artseason, The Third China New Media Art Festival, China Academy of Fine Arts, Hangzhou | 
				
				
				
				
			
				|  | China!China!China!!! - Chinese Contemporary Art Beyond the Global Market., First Section of "40+4, Art Is Not Enough! Not Enough!" Project, Fondazione Palazzo Strozzi, Firenze, Italy | 
				
				
				
				
			
				|  | China China China!!!, Firenze, Palazzo Strozzi, Centro di Cultura Contemporanea Strozzina | 
				
				
				
				
			
				|  | Chanel Mobile Art pavilion, Hong Kong | 
				
				
				
				
			
				|  | SHANGHYPE, Futura, Prague, Czech Republic | 
				
				
				
				
			
				|  | 21st Century China. Art between Identity and Transformation, Palazzo delle Esposizioni, Roma, Italy | 
				
				
				
				
			
				|  | Still/Motion: Liquid Crystal Painting, Mie Prefectural Art Museum, Osaka; National Museum of Art, Osaka; Tokyo Metropolitan Museum of Photography, Tokyo, Japan | 
				
				
				
				
			
				|  | The Real Thing, Contemporary Art from China, IVAM, Valencia, Spain | 
				
				
				
				
				
				
				
				
			
				|  | Business as Usual, New Video from China Cao Fei and Yang Fudong, Arizona State University Art Museum, U.S.A. | 
				
				
				
				
			
				| 2007 | Counterpoint, Bund 18 Creative Center, Shanghai | 
				
				
				
				
			
				|  | La Cina è vicina, A Cura di Diego Esposito, in collaborazione con CIVITA, Via die Mille 60-80122 Napoli, Italy | 
				
				
				
				
			
				|  | The Alchemy of Shadows, Lianzhou International Photo Festival (LIPF) 2007, Lianzhou, Guangdong | 
				
				
				
				
			
				|  | Passages-Passagen-Pasaze, The videos are presented in Bratislava (Panenska street); transmitted electronically to the Jeu de Paume in Paris, the Goethe Institut, New York; g-mk art center, Zagreb | 
				
				
				
				
			
				|  | The First Today's Documents 2007, Energy: Spirit ּ Body ּ Material, Today Art Museum, Beijing | 
				
				
				
				
			
				|  | 2nd Documentary Exhibition of Fine Arts, Forms of Concepts, Hubei Museum of Art, Wuhan | 
				
				
				
				
			
				|  | New Video from China:  Cao Fei and Yang Fudong, Arizona State University Art Museum, Tempe, Arizona, Australian | 
				
				
				
				
			
				|  | China Power Station: Part II, Astrup Fearnley Museum of Modern Art, Oslo, Norway | 
				
				
				
				
				
				
			
				|  | Talking Pictures, Text, Theatricality and Timing in Contemporary Art, K21 Kunstsammlung Nordrhein-Westfalen, Duesseldorf, Germany | 
				
				
				
				
			
				|  | Borderline International Video Festive, Platform China, Beijing | 
				
				
				
				
			
				|  | Individual Position 2, Video, Photo, and Installation, ShanghART H-Space, Shanghai | 
				
				
				
				
			
				|  | The Invention of the Present, Representations of everyday life in Chinese contemporary photography, Centro Casa Asia - Madrid, Madrid, Spain | 
				
				
				
				
			
				|  | Thermocline of Art, New Asian Waves, ZKM (Center for Art and Media), Karlsruhe, Germany | 
				
				
				
				
				
				
			
				|  | 52nd International Art Exhibition Venice Biennale, Think with the Senses-Feel with the Mind, Venice, Italy | 
				
				
				
				
			
				|  | Deviate, The 1st  Anhui Chinese Contemporary Art Exhibition, Gold Zone, Hefei, Anhui | 
				
				
				
				
			
				|  | Zhuyi!, Contemporary Chinese Photography, Artium; Basque Museum-Center of Contemporary Art; Vitoria-Gasteiz, Spain | 
				
				
				
				
			
				|  | The Real Thing, Contemporary Art from China, Tate Liverpool, U.K. | 
				
				
				
				
			
				|  | The Screen Eye or The New Image, 100 Videos to rethink the world, Casino Luxembourg - Forum d'art contemporain, Luxembourg | 
				
				
				
				
			
				| 2006 | Art in Motion, MoCA, Shanghai | 
				
				
				
				
			
				|  | Entry Gate: Chinese Aesthetics of Heterogeneity, MoCA, Shanghai | 
				
				
				
				
				
				
			
				|  | China Contemporary, Architecture, Art and Visual Culture, Netherlands Architecture Institute; Museum Boijmans Van Beuningen; Netherlands Fotomuseum, The Netherlands | 
				
				
				
				
			
				|  | Thirty-Eight Solo Exhibitions, Creative Garden, Shanghai | 
				
				
				
				
			
				|  | Microcosm, Chinese Contempory Art, Macao Museum of Art (Macao Culture Centre), Macao | 
				
				
				
				
			
				|  | The 5th AsiaPacific Triennial of Contemporary Art (APT5), Gallery of Modern Art (GoMA), Queensland Art Gallery, Queensland, Australia | 
				
				
				
				
			
				|  | China Power Station: Part I, Battersea Power Station, London, U.K. | 
				
				
				
				
			
				|  | Four Thursday Nights, Group Dynamics, Aspen Art Museum, Aspen, U.S.A. | 
				
				
				
				
			
				| 2005 | Gifts 1, A Case of Contemporary Art, Modern Art Museum of Hangzhou Normal University, Hangzhou | 
				
				
				
				
			
				|  | Zooming into Focus, Contemporary Chinese Photography and Video from the Haudenschild Collection, National Art Museum of China, Beijing | 
				
				
				
				
			
				|  | In the Deep of Reality, A Case of Chinese Contemporary Art, Basement of Tianyu Apartment, Hangzhou | 
				
				
				
				
			
				|  | The Wall, Reshaping Contemporary Chinese Art, Millennium Art Museum, Beijing; Albrigh-Knox Art Gallery; University at Buffalo Anderson Gallery; University at Buffalo Art Gallery, Buffalo, New York, U.S.A. | 
				
				
				
				
			
				|  | Montpellier / Chine: MC1 Biennale international, The First International Biennial of Contemporary Chinese Art Montpellier-China, Montpellier, France | 
				
				
				
				
			
				|  | Le Invasioni Barbariche, curated by Pier Luigi Tazzi, Galleria Continua, San Gimignano, Italy | 
				
				
				
				
			
				|  | Shanghai Constructions, Group exhibition by 10 artists, Shanghai Gallery of Art, Shanghai | 
				
				
				
				
			
				|  | Emergency Biennale in Chechnya, A Suitcase from Paris to Grozny, Palais de Tokyo, Paris, France | 
				
				
				
				
			
				|  | Videozoom: Chinese Video Artists, The City: Mirage and reflection, Galeria Sala 1, Centro Internazionale d'Arte Contemporanea, Rome, Italy | 
				
				
				
				
			
				|  | The 3rd Fukuoka Asian Art Triennal 2005, Parallel Realities: Asian Art Now, Fukuoka Asian Art Museum, Fukuoka, Japan | 
				
				
				
				
			
				|  | First Moscow Biennale of Contemporary Art, Moskva, Russia | 
				
				
				
				
			
				|  | The Forest: Politics, Poetics, and Practice, Inaugural Exhibition, Nasher Museum of Art at Duke University, Durham, NC, U.S.A. | 
				
				
				
				
			
				|  | Internationale Sharjah Biennale 7, United Arab Emirates | 
				
				
				
				
			
				|  | Follow Me!, Contemporary Chinese Art at the Threshold of the New Millennium, Mori Art Museum, Tokyo, Japan | 
				
				
				
				
			
				| 2004 | Maze - 2004 Chinese New Media Art Festival, China Academy of Fine Arts, Hangzhou | 
				
				
				
				
			
				|  | Dreaming of the Dragon's Nation, Contemporary Art from China, IMMA (Irish Museum of Modern Art), Dublin, Ireland | 
				
				
				
				
			
				|  | Shanghai Modern, Museum Villa Stuck, Munich, Germany | 
				
				
				
				
			
				|  | Time Zones: Recent Film and Video, Tate Modern, London, U.K. | 
				
				
				
				
				
				
			
				|  | 5th Shanghai Biennale, Techniques of the Visible, Shanghai Art Museum, Shanghai | 
				
				
				
				
			
				|  | Dial 62761232 (Express Delivery Exhibition), Contemporary Art Exhibition, BizArt, Shanghai | 
				
				
				
				
			
				|  | 4th Busan Biennale—Contemporary Art Exhibition, Busan Metropolitan Art Museum, Busan, Korea | 
				
				
				
				
				
				
			
				|  | Between Past and Future, New Photography and Video from China, ICP and the Asia Society, NY, USA (traveling, Museum of Contemporary Art and the Smart Museum of Art, Chicago; Seattle Art Museum, Seattle; the Santa Barbara Museum of Art, Santa Barbara, USA; V&A, London, UK; Haus der Kulturen der Welt, Berlin, Germany) | 
				
				
				
				
			
				|  | The Monk and the Demon, Art Contemporain Chinois, Musee Art Contemporain Lyon, Lyon, France | 
				
				
				
				
			
				|  | Light as Fuck! Shanghai Assemblage 2000-2004, The National Museum of Contemporary Art, Oslo, Norway | 
				
				
				
				
			
				|  | Shanghai Surprise, Lothringer13 - Stadtische Kunsthalle München, Munich, Germany | 
				
				
				
				
			
				|  | Zooming into Focus (SAM), Chinese Contemporary Photography and Video from the Haudenschild Collection, Shanghai Art Museum, Shanghai | 
				
				
				
				
			
				|  | China Now, Museum of Modern Art, New York, U.S.A. | 
				
				
				
				
			
				|  | Feverish Unconscious: The Digital Culture in Contemporary, Chambers Fine Art, Beijing | 
				
				
				
				
			
				|  | Scarify, China Modern Indepengdent Image Exhibition, Beijing; Chongqing; Xi'an | 
				
				
				
				
			
				|  | Out the Window: Spaces of Distraction, The Japan Foundation Asia Center, Tokyo, Japan; Project space Zip, Seoul, Korea | 
				
				
				
				
			
				|  | A I'Ouest du Sud de l'Est, L'annee de la Chine, CRAC Centre Regional d'Art Contemporain Languedoc-Roussillon, Sete, France | 
				
				
				
				
			
				|  | Beyond Boundaries, Shanghai Gallery of Art, Shanghai | 
				
				
				
				
			
				|  | Chine, le corps partout? (China, the body everywhere?), Museum of Contemporary Art, Marseilles, France | 
				
				
				
				
			
				|  | La Photographie contemporaine chinoise, Musée des Beaux-Arts, Nancy, France | 
				
				
				
				
			
				|  | The Biennial of Contemporary African Art, Dakar, Senegal | 
				
				
				
				
			
				|  | Slow Rushes, SMC. CAC Contemporary Art Centre, Vilnius, Lithuania | 
				
				
				
				
			
				|  | 3' Condensed Information, Schirn Kunsthalle, Frankfurt, Germany | 
				
				
				
				
			
				|  | Encounters in the 21st Century, Polyphony - Emerging Resonances, Museum Inauguration, 21st Century Museum of Contemporary Art, Kanazawa, Japan | 
				
				
				
				
			
				|  | Conditional being, Metrònom, Barcelona, Spain | 
				
				
				
				
			
				|  | Carnegie International, Carnegie Museum of Art, Pittsburgh, U.S.A. | 
				
				
				
				
			
				|  | Spread in Prato 2004, Dryphoto Arte Contemporanea, Prato, Italy | 
				
				
				
				
			
				|  | Do You Believe in Reality? 2004 Taipei Biennial, Taipei Fine Arts Museum, Taipei | 
				
				
				
				
			
				|  | Caméra, National Museum of Contemporary Art (MNAC), Bucuresti, Romania | 
				
				
				
				
			
				|  | Past in Reverse, Contemporary Art of East Asia, San Diego Museum of Art, San Diego, U.S.A. | 
				
				
				
				
			
				|  | Drei Filme, Gesellschaft für Aktuelle Kunst, Bremen, Germany | 
				
				
				
				
			
				|  | FACT Liverpool (Liverpool Biennial 2004), Livepool, U.K. | 
				
				
				
				
			
				|  | The Logbook, An Art-Project about Communication and Cultural Exchange, Long March Foundation, Beijing | 
				
				
				
				
			
				|  | Die Chinesen, Fotografie und Video aus China, Kunstmuseum Wolfsburg, Germany | 
				
				
				
				
			
				|  | Zooming into Focus (Singapore), Chinese Contemporary Photography and Video from the Haudenschild Collection, Earl Lu Gallery, LASALLE-SIA College of the Arts, Singapore | 
				
				
				
				
			
				|  | Zooming into Focus (Tijuana), Chinese Contemporary Photography from the Haudenschild Collection, Cultural Tijuana, Tijuana, Mexico | 
				
				
				
				
			
				| 2003 | Open Sky, Grand Opening of Shanghai Duolun Museum of Modern Art, Duolun Museum of Modern Art, Shanghai | 
				
				
				
				
			
				|  | A Strange Heaven, Contemporary Chinese Photography, Galerie Rudolfinum, Prague, Czech | 
				
				
				
				
			
				|  | 50th International Art Exhibition Venice Biennale, Dreams and Conflicts. The Dictatorship of the Viewer, Venice, Italy | 
				
				
				
				
			
				|  | Camera:Chang Yungho, Wang Jianwei, Yang Fudong, ARC/Musee d'art moderne de la Ville de Paris, France | 
				
				
				
				
			
				|  | The Minority is Subordinate to the Majority, BizArt, Shanghai | 
				
				
				
				
			
				|  | Lifetime, Beijing Tokyo Art Projects, Beijing | 
				
				
				
				
			
				|  | Entre de Chine _ Chine et mutations, Oeuvres vidéo d'artistes contemporains chinois . au Palais de l'Ile - Annecy, imagespassages Video Art, Annecy, France | 
				
				
				
				
			
				|  | Promenade Edifiante et Curieuse au Pavillon des Images  CPIF, Centre Photographique d'Ile de France, Pontault-Combault, France | 
				
				
				
				
			
				|  | Under Pressure, Galerie Analix, Geneva, Switzerland | 
				
				
				
				
			
				|  | Outlook, International Art Exhibition Athens 2003, Arena-Society for the Advancement of Contemporary Art in Athens, Athina, Greece | 
				
				
				
				
			
				|  | China Contempo II - Illusions and Perceptions of the City, Art Seasons, Singapore | 
				
				
				
				
			
				|  | Cine casi Cine 2003, Museo Nacional Centro de Arte Reina Sofia (MNCARS), Madrid, Spain | 
				
				
				
				
			
				|  | New Zone Chinese Art, The Zacheta Gallery of Art, Warszawa, Poland | 
				
				
				
				
			
				|  | Alternative Modernity, An Exhibition of Chinese Contemporary Art, X-Ray Art Center, Beijing | 
				
				
				
				
			
				|  | Avicon (Asia Videoart Conference Tokyo), Videoart Center, Tokyo, Japan | 
				
				
				
				
			
				|  | Left Wing, An exhibition of Chinese Contemporary Art, Left Bank Community, Beijing | 
				
				
				
				
			
				|  | Happiness: A Survival Guide for Art and Life, Mori Art Museum, Tokyo, Japan | 
				
				
				
				
			
				|  | Fuckin' trendy!, Kunsthalle Nuremberg, Nuremberg, Germany | 
				
				
				
				
			
				|  | +System, Short Videos from the World 2002-2003, BizArt, Shanghai | 
				
				
				
				
			
				|  | Alors la Chine?, Centre Pompidou, Paris, France | 
				
				
				
				
			
				|  | Out of the Red, La Generation Emergente, Trevi Flash Art Museum, Milan, Italy | 
				
				
				
				
			
				|  | Prague Biennale 1, National Gallery, Prague, Czech | 
				
				
				
				
			
				|  | City - net Asia, 2003, Seoul Museum of Art, Seoul, Korea | 
				
				
				
				
			
				|  | Zooming into Focus (San Diego), Chinese Contemporary Photography from the Haudenschild Collection, University Gallery of San Diego State University, San Diego, U.S.A. | 
				
				
				
				
			
				| 2002 | The First Guangzhou Trienniale - Reinterpretation: A Decade of Experimental Chinese Art (1990-2000), Guangdong Museum of Art, Guangzhou | 
				
				
				
				
			
				|  | FAN Mingzhen & FAN Mingzhu - Glad to Meet you, Twin Exhibition, Shanghai | 
				
				
				
				
			
				|  | Golden Harvest, Museum of the Contemporary Art, Zagreb, Croatia | 
				
				
				
				
				
				
			
				|  | Quick Look!, Shanghai Zhejiang Jiangsu Anhui Contemporary Art Exhibition, Consulate General of Switzerland, Shanghai | 
				
				
				
				
			
				|  | Documenta 11, Kassel, Kassel, Germany | 
				
				
				
				
			
				|  | Site + Sight, Earl Lu Gallery, Singapore | 
				
				
				
				
			
				|  | Paris - Pekin, Chinese Contemporary Art Exhibition, Espace Pierre Cardin, Paris, France | 
				
				
				
				
			
				|  | Videoart Channel, Videoart Centre, Tokyo, Japan | 
				
				
				
				
			
				|  | There's No Accounting for Other Peoples Relationships, Ormeau Baths Gallery, Belfast, U.K. | 
				
				
				
				
			
				|  | The 4th Annual Video Marathon, 12 hour screening, Art in General, New York, U.S.A. | 
				
				
				
				
			
				|  | VideoROM 2.0, Giancarla Zanutti Gallery, Milan, Italy | 
				
				
				
				
			
				|  | VideoROM,  Le Toit du Monde, Centre Multidisciplinaire Pour la Culture Actuelle, Vevey. Switzerland | 
				
				
				
				
			
				|  | 4th Shanghai Biennale, Urban Creation, Shanghai Art Museum, Shanghai | 
				
				
				
				
			
				| 2001 | The 1st Unrestricted New Image Festival, Central Cinema Academy, Beijing | 
				
				
				
				
			
				|  | Living in Time, 29 Contemporary Artists from China, National galerie im Hamburger Bahnhof Museum fuer Gegenwart, Berlin, Germany | 
				
				
				
				
				
				
			
				|  | Virtual Future, An Exhibition of Chinese Contemporary Art, Guangdong Museum of Art, Guangdong | 
				
				
				
				
			
				|  | Mantic Ecstasy, Digital Image and Video Art, Hangzhou; Shanghai; Beijing | 
				
				
				
				
			
				|  | 7th International Istanbul Biennial, Istanbul, Turkey | 
				
				
				
				
			
				|  | Yokohama 2001: International Triennale of Contemporary Art, Yokohama, Japan | 
				
				
				
				
			
				|  | Psycho- Bobble, Galleria Raucci / Santamaria, Napoli, Italy | 
				
				
				
				
				
				
			
				|  | The First Valencia Biennale, Valencia, Spain | 
				
				
				
				
			
				|  | Homeport, Fuxing Park, Shanghai | 
				
				
				
				
			
				| 2000 | "IN" Art Exhibition, Purple Hills, Nanjing | 
				
				
				
				
			
				|  | Uncooperative Approach (Fuck Off), Eastlink Gallery, Shanghai | 
				
				
				
				
			
				|  | Out of Desire, Painting Exhibition of Six Shanghai Young Artists, Liu Haisu Art Museum, Shanghai | 
				
				
				
				
			
				|  | Exit, Chisenhale Gallery, London, U.K. | 
				
				
				
				
			
				|  | Multimedia Art Asia Pacific ( MAAP) Festival, Australia | 
				
				
				
				
			
				|  | Useful Life, Temporary Space, Dong Daming Rd, Shanghai | 
				
				
				
				
			
				| 1999 | Love, Chinese Contemporary Photography & Video: International Arts Festival. Tachikawa 99, Japan | 
				
				
				
				
			
				|  | The Same But Also Changed, Photography Exhibition, Shanghai | 
				
				
				
				
			
				|  | Art for Sale, Shanghai Plaza, Shanghai | 
				
				
				
				
			
				|  | 99' Shanghai Young Arts Exhibition, Liu Haisu Art Museum, Shanghai | 
				
				
				
				
			
				|  | Post-Sense Sensibility, Alien Bodies and Delusion, Beijing | 
				
				
				
				
			
				| 1990 | 3rd Shanghai Youth Grand Fine Arts Exhibition, Shanghai Art Museum, Shanghai |